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Federico Barocci - Portrait of Maddalena Osuna Giron
fullscreen
Alessandro Algardi - Attila
fullscreen
Alvise Vivarini - Crucifix with angels collecting Christ's blood
fullscreen
Franz Werner Von Tamm, detto Monsó Daprait - Flowerpot, watermelon and moretto with a fruit platter
fullscreen
Christian Berentz - Flowers, fruit and tray with glass goblets
fullscreen
Elisabetta Sirani - Mother with child and Saint John
fullscreen
Hunt for the Calydonian boar
fullscreen
Giovanni Bellini - Coronation of the Virgin
fullscreen
Guido Reni - Fall of the Giants
fullscreen
Winged putto
fullscreen
Giannandrea Lazzarini - Trinity with Madonna
fullscreen
Mariotto di Nardo - Madonna with child with Saints Michel and Francis
fullscreen
Speranza bella - parade plate
fullscreen
Coat of arms of the Veterani family of Urbino
fullscreen
Ferruccio Mengaroni - Medusa
Federico Barocci - Portrait of Maddalena Osuna Giron
Alessandro Algardi - Attila
Alvise Vivarini - Crucifix with angels collecting Christ's blood
Franz Werner Von Tamm, detto Monsó Daprait - Flowerpot, watermelon and moretto with a fruit platter
Christian Berentz - Flowers, fruit and tray with glass goblets
Elisabetta Sirani - Mother with child and Saint John
Hunt for the Calydonian boar
Giovanni Bellini - Coronation of the Virgin
Guido Reni - Fall of the Giants
Winged putto
Giannandrea Lazzarini - Trinity with Madonna
Mariotto di Nardo - Madonna with child with Saints Michel and Francis
Speranza bella - parade plate
Coat of arms of the Veterani family of Urbino
Ferruccio Mengaroni - Medusa

Other works on display

Description

After a period of stall, around 1540, the Pesaro majolica returns to its ancient splendor. The transfer of the Della Rovere court from Urbino to Pesaro in 1538 contributes to fueling an urban and artistic renewal and thus the representation of 'stories' arrives in Pesaro, where it is performed above all in the workshops of Girolamo and Giacomo Lanfranco Dalle Gabicce. Dated to 1541, the cup is one of the earliest examples of the Pesaro history. The scene, painted with bright chromatism, denotes an almost childish hand. The characters are defined in an essential way and animated by an intense dynamism. The cup also features elements that will become constant in the history of Pesaro, such as the approximate buildings in the distance, and above all the inclusion of the mythological event in a naturalistic landscape, which is therefore preferred to the architectural setting.

Other artworks in Pesaro

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