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Federico Barocci - Portrait of Maddalena Osuna Giron
fullscreen
Alessandro Algardi - Attila
fullscreen
Alvise Vivarini - Crucifix with angels who collect the blood of Christ
fullscreen
Franz Werner Von Tamm, detto Monsó Daprait - Vase of flowers, watermelon and moretto with a fruit tray
fullscreen
Christian Berentz - Flowers, fruit and a tray with glass goblets
fullscreen
Elisabetta Sirani - Madonna with Child and San Giovannino
fullscreen
Calydonian Boar Hunt
fullscreen
Giovanni Bellini - Coronation of the Virgin
fullscreen
Guido Reni - Fall of the Giants
fullscreen
Winged Putto
fullscreen
Giannandrea Lazzarini - Trinity with the Madonna
fullscreen
Mariotto di Nardo - Madonna and Child with Saints Michael and Francis
fullscreen
Beautiful Hope - Pump Plate
fullscreen
Coat of arms of the Veterani family of Urbino
fullscreen
Ferruccio Mengaroni - Medusa
Federico Barocci - Portrait of Maddalena Osuna Giron
Alessandro Algardi - Attila
Alvise Vivarini - Crucifix with angels who collect the blood of Christ
Franz Werner Von Tamm, detto Monsó Daprait - Vase of flowers, watermelon and moretto with a fruit tray
Christian Berentz - Flowers, fruit and a tray with glass goblets
Elisabetta Sirani - Madonna with Child and San Giovannino
Calydonian Boar Hunt
Giovanni Bellini - Coronation of the Virgin
Guido Reni - Fall of the Giants
Winged Putto
Giannandrea Lazzarini - Trinity with the Madonna
Mariotto di Nardo - Madonna and Child with Saints Michael and Francis
Beautiful Hope - Pump Plate
Coat of arms of the Veterani family of Urbino
Ferruccio Mengaroni - Medusa

Other works on display

Description

The triptych depicts the Madonna and Child enthroned between two angels and the blessing Redeemer, between Saints Michael the Archangel and Francis and in the predella, Saint Jerome, Saint Anthony of Padua, Saint John the Baptist, the Flagellation of Christ, Saint John the Evangelist , San Ludovico da Tolosa and Santa Chiara. An attempt was made to identify the Franciscan saint of the predella with the Blessed Sante da Mombaroccio, but the traditional identification with Sant´Antonio da Padova seems preferable, as indicated by the burning flame and the inscription on the open book. The painting was kept from ancient times in San Giovanni Battista degli Zoccolanti in Pesaro. The presence of San Francesco and three Franciscan saints in the predella, however, indicates that its original location must have been a church of the minor friars. The work is a manifesto of the contemporary Florentine artistic situation and the neo-Giotto trend shines through in the archaic rigor. On the other hand, numerous elements show that Mariotto has not forgotten late Gothic experimentalism and in the monumental figures, wrapped in large draperies, the contour line struggles in increasingly convoluted serpentines, as in the mantle of the Madonna or in that of San Michele.

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