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Federico Barocci - Portrait of Maddalena Osuna Giron
fullscreen
Alessandro Algardi - Attila
fullscreen
Alvise Vivarini - Crucifix with angels collecting Christ's blood
fullscreen
Franz Werner Von Tamm, detto Monsó Daprait - Flowerpot, watermelon and moretto with a fruit platter
fullscreen
Christian Berentz - Flowers, fruit and tray with glass goblets
fullscreen
Elisabetta Sirani - Mother with child and Saint John
fullscreen
Hunt for the Calydonian boar
fullscreen
Giovanni Bellini - Coronation of the Virgin
fullscreen
Guido Reni - Fall of the Giants
fullscreen
Winged putto
fullscreen
Giannandrea Lazzarini - Trinity with Madonna
fullscreen
Mariotto di Nardo - Madonna with child with Saints Michel and Francis
fullscreen
Speranza bella - parade plate
fullscreen
Coat of arms of the Veterani family of Urbino
fullscreen
Ferruccio Mengaroni - Medusa
Federico Barocci - Portrait of Maddalena Osuna Giron
Alessandro Algardi - Attila
Alvise Vivarini - Crucifix with angels collecting Christ's blood
Franz Werner Von Tamm, detto Monsó Daprait - Flowerpot, watermelon and moretto with a fruit platter
Christian Berentz - Flowers, fruit and tray with glass goblets
Elisabetta Sirani - Mother with child and Saint John
Hunt for the Calydonian boar
Giovanni Bellini - Coronation of the Virgin
Guido Reni - Fall of the Giants
Winged putto
Giannandrea Lazzarini - Trinity with Madonna
Mariotto di Nardo - Madonna with child with Saints Michel and Francis
Speranza bella - parade plate
Coat of arms of the Veterani family of Urbino
Ferruccio Mengaroni - Medusa

Other works on display

Description

The triptych depicts the Madonna and Child enthroned between two angels and the blessing Redeemer, between Saints Michael the Archangel and Francis and in the predella, San Girolamo, Sant´Antonio da Padova, San Giovanni Battista, the Flagellation of Christ, San Giovanni Evangelista , San Ludovico da Tolosa and Santa Chiara. An attempt was made to identify the Franciscan saint of the predella with Blessed Sante da Mombaroccio, however the traditional identification with Sant´Antonio da Padova seems preferable, as indicated by the burning flame and the inscription on the open book. The painting was preserved ab antiquo in San Giovanni Battista degli Zoccolanti in Pesaro. The presence of San Francesco and three Franciscan saints in the predella indicates, however, that its original location was to be a church of the minor friars. The work is a manifesto of the contemporary Florentine artistic situation and the neo-Giotto tendency shines through in the archaizing rigor. On the other hand, numerous elements show that Mariotto has not forgotten the late Gothic experimentalism and in the monumental figures, wrapped in large draperies, the contour line tinkers with increasingly involute serpentines, such as in the mantle of the Madonna or in that of San Michele.

Other artworks in Pesaro

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