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Federico Barocci - Portrait of Maddalena Osuna Giron
fullscreen
Alessandro Algardi - Attila
fullscreen
Alvise Vivarini - Crucifix with angels collecting Christ's blood
fullscreen
Franz Werner Von Tamm, detto Monsó Daprait - Flowerpot, watermelon and moretto with a fruit platter
fullscreen
Christian Berentz - Flowers, fruit and tray with glass goblets
fullscreen
Elisabetta Sirani - Mother with child and Saint John
fullscreen
Hunt for the Calydonian boar
fullscreen
Giovanni Bellini - Coronation of the Virgin
fullscreen
Guido Reni - Fall of the Giants
fullscreen
Winged putto
fullscreen
Giannandrea Lazzarini - Trinity with Madonna
fullscreen
Mariotto di Nardo - Madonna with child with Saints Michel and Francis
fullscreen
Speranza bella - parade plate
fullscreen
Coat of arms of the Veterani family of Urbino
fullscreen
Ferruccio Mengaroni - Medusa
Federico Barocci - Portrait of Maddalena Osuna Giron
Alessandro Algardi - Attila
Alvise Vivarini - Crucifix with angels collecting Christ's blood
Franz Werner Von Tamm, detto Monsó Daprait - Flowerpot, watermelon and moretto with a fruit platter
Christian Berentz - Flowers, fruit and tray with glass goblets
Elisabetta Sirani - Mother with child and Saint John
Hunt for the Calydonian boar
Giovanni Bellini - Coronation of the Virgin
Guido Reni - Fall of the Giants
Winged putto
Giannandrea Lazzarini - Trinity with Madonna
Mariotto di Nardo - Madonna with child with Saints Michel and Francis
Speranza bella - parade plate
Coat of arms of the Veterani family of Urbino
Ferruccio Mengaroni - Medusa

Other works on display

Description

It is difficult to trace the Pesaro painting back to a specific Baroque prototype despite it having clear analogies with two portraits of a young woman executed by Barocci himself. The painting would depict Maddalena Giron, Duchess of Ossuno and woman loved by Duke Francesco Maria II della Rovere during his stay in the Spanish court and before his marriage to Lucrezia d´Este. According to this hypothesis, the canvas could therefore have been commissioned by the Duke himself during the Spanish years or immediately after his return to his homeland in 1568.

Other artworks in Pesaro

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