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Federico Barocci - Portrait of Maddalena Osuna Giron
fullscreen
Alessandro Algardi - Attila
fullscreen
Alvise Vivarini - Crucifix with angels who collect the blood of Christ
fullscreen
Franz Werner Von Tamm, detto Monsó Daprait - Vase of flowers, watermelon and moretto with a fruit tray
fullscreen
Christian Berentz - Flowers, fruit and a tray with glass goblets
fullscreen
Elisabetta Sirani - Madonna with Child and San Giovannino
fullscreen
Calydonian Boar Hunt
fullscreen
Giovanni Bellini - Coronation of the Virgin
fullscreen
Guido Reni - Fall of the Giants
fullscreen
Winged Putto
fullscreen
Giannandrea Lazzarini - Trinity with the Madonna
fullscreen
Mariotto di Nardo - Madonna and Child with Saints Michael and Francis
fullscreen
Beautiful Hope - Pump Plate
fullscreen
Coat of arms of the Veterani family of Urbino
fullscreen
Ferruccio Mengaroni - Medusa
Federico Barocci - Portrait of Maddalena Osuna Giron
Alessandro Algardi - Attila
Alvise Vivarini - Crucifix with angels who collect the blood of Christ
Franz Werner Von Tamm, detto Monsó Daprait - Vase of flowers, watermelon and moretto with a fruit tray
Christian Berentz - Flowers, fruit and a tray with glass goblets
Elisabetta Sirani - Madonna with Child and San Giovannino
Calydonian Boar Hunt
Giovanni Bellini - Coronation of the Virgin
Guido Reni - Fall of the Giants
Winged Putto
Giannandrea Lazzarini - Trinity with the Madonna
Mariotto di Nardo - Madonna and Child with Saints Michael and Francis
Beautiful Hope - Pump Plate
Coat of arms of the Veterani family of Urbino
Ferruccio Mengaroni - Medusa

Other works on display

Description

The large "pompous" plates, that is to say exclusively for ornamental purposes to hang on the walls or to display in the cupboards, are one of the most sought-after expressions of Italian majolica and undoubtedly represent one of the evident signs of Renaissance culture. The subject depicted, a beautiful woman, is inspired by the Umbrian painting of the time and in particular by that of Pinturicchio, who had an undoubted influence on Deruta ceramics. The adjective "beautiful woman" that accompanies the name of the person to whom the offer is addressed frequently recurs in the majolica of a loving subject both in Deruta and in other centers where this genre spread, sometimes with the expression of other qualities that correspond to the Renaissance feminine ideal.

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