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Federico Barocci - Portrait of Maddalena Osuna Giron
fullscreen
Alessandro Algardi - Attila
fullscreen
Alvise Vivarini - Crucifix with angels collecting Christ's blood
fullscreen
Franz Werner Von Tamm, detto Monsó Daprait - Flowerpot, watermelon and moretto with a fruit platter
fullscreen
Christian Berentz - Flowers, fruit and tray with glass goblets
fullscreen
Elisabetta Sirani - Mother with child and Saint John
fullscreen
Hunt for the Calydonian boar
fullscreen
Giovanni Bellini - Coronation of the Virgin
fullscreen
Guido Reni - Fall of the Giants
fullscreen
Winged putto
fullscreen
Giannandrea Lazzarini - Trinity with Madonna
fullscreen
Mariotto di Nardo - Madonna with child with Saints Michel and Francis
fullscreen
Speranza bella - parade plate
fullscreen
Coat of arms of the Veterani family of Urbino
fullscreen
Ferruccio Mengaroni - Medusa
Federico Barocci - Portrait of Maddalena Osuna Giron
Alessandro Algardi - Attila
Alvise Vivarini - Crucifix with angels collecting Christ's blood
Franz Werner Von Tamm, detto Monsó Daprait - Flowerpot, watermelon and moretto with a fruit platter
Christian Berentz - Flowers, fruit and tray with glass goblets
Elisabetta Sirani - Mother with child and Saint John
Hunt for the Calydonian boar
Giovanni Bellini - Coronation of the Virgin
Guido Reni - Fall of the Giants
Winged putto
Giannandrea Lazzarini - Trinity with Madonna
Mariotto di Nardo - Madonna with child with Saints Michel and Francis
Speranza bella - parade plate
Coat of arms of the Veterani family of Urbino
Ferruccio Mengaroni - Medusa

Other works on display

Description

It is assumed that the work was in the Olivieri collection in pendant with the canvas of identical format and dimensions by Berentz. It is not improbable that in the intentions of those who bought them, the purpose was precisely to expose the evidence of the two famous painters in the genre. The realization of this work was probably placed close to the end of the Roman stay in Tamm, around 1695. The optical clarity in illustrating the floral species the painter associates the unmistakable mastery, as a true virtuoso of color, in the combinations and in the chromatic passages. The majestic floral trophy well exemplifies the decorative splendor of the late Baroque Roman season and confirms the fame of the Tamm florant who, together with his countryman Berentz, can be considered the heir to the iconographic tradition of the monumental still lifes en plein air, inaugurated by Abraham Brueghel.

Other artworks in Pesaro

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