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The royal procession of Piedigrotta seen from the west
The royal procession of Piedigrotta seen from the east
Portrait of Louise Loy Smart
Portrait of Louis Dufort-Duras Earl of Feversham
King David and the water carriers, Solomon and the Queen of Sheba
Night snow in Kambara
Mario Furio Camillo arrives in Rome to negotiate with the Gauls
Mystical marriage of Saint Catherine
Madonna
Prayer before the storm
Portrait of Napoleon Bonaparte
Portrait of Michele Coronini Cronberg
Pair of glasses
Spoil
Shelf clock
Pair of cafes
Pair of salt cellars
Pitcher and sugar bowl
Spring
About the game of chess
Shelf clock
Desk service
Shotgun
Cup with saucer
The man who looks at the sun
The sneeze
Bureau-cabinet
Spoil
Wedding fan
Folding fan
Dress with tailcoat, breeches and waistcoat
Cup with saucer
Glass
Bracelet with miniature portrait of Count Edwin de Fagan
Soup bowl
Etagère with mirror
The Visitation
The royal procession of Piedigrotta seen from the west
The royal procession of Piedigrotta seen from the east
Portrait of Louise Loy Smart
Portrait of Louis Dufort-Duras Earl of Feversham
King David and the water carriers, Solomon and the Queen of Sheba
Night snow in Kambara
Mario Furio Camillo arrives in Rome to negotiate with the Gauls
Mystical marriage of Saint Catherine
Madonna
Prayer before the storm
Portrait of Napoleon Bonaparte
Portrait of Michele Coronini Cronberg
Pair of glasses
Spoil
Shelf clock
Pair of cafes
Pair of salt cellars
Pitcher and sugar bowl
Spring
About the game of chess
Shelf clock
Desk service
Shotgun
Cup with saucer
The man who looks at the sun
The sneeze
Bureau-cabinet
Spoil
Wedding fan
Folding fan
Dress with tailcoat, breeches and waistcoat
Cup with saucer
Glass
Bracelet with miniature portrait of Count Edwin de Fagan
Soup bowl
Etagère with mirror
The Visitation

Mystical marriage of Saint Catherine

Giovanni Britto o Nicolò Boldrini da Tiziano Vecellio

Displayed in:

Palazzo Coronini Cronberg Foundation

Palazzo Coronini Cronberg Foundation

Viale XX Settembre, 14, Gorizia

Closed today: open Wednesday at 10:00

Verified profile

The print according to Ridolfi derives from the composition depicting the Virgin Mary with Saint Anne, which he [Tizaino] painted in chiaroscuro over the tomb of Luigi Trevisano in S. Giovanni e Paolo. However, as Mariette noted, the drawing used for the printing could not be the same intended for the painting, a lunette where neither the figure of St. Joseph nor the two angels appeared, instead of which two Dominican friars were seen. No trace remains of the Titianesque work, originally placed above the tomb and already severely damaged in the eighteenth century to the point that, as Zanetti pointed out, it had been placed in a room of the convent. The work belongs to the last phase of Titian's relationship with woodcut, when instead of original inventions, specially conceived for printing, the artist limited himself to passing the drawings and preparatory studies of his paintings to the carvers, which were then reworked and adapted to the engraving. Third state out of three. Inscriptions: On the reverse, handwritten note in pencil: "Gravure au bois de la main de Titien".
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Details

Title: Mystical marriage of Saint Catherine

Author: Giovanni Britto o Nicolò Boldrini da Tiziano Vecellio

Date: 1540 - 1550 ca.

Technique: Woodcut

Displayed in: Palazzo Coronini Cronberg Foundation

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