From April 1st to May 17th, 2026, the Rome Slaughterhouse presents the exhibition Vincenzo Scolamiero.

With some part of the earth, promoted by the Department of Culture of Rome Capital City, Special Company Palaexpo, and Mattatoio di Roma Foundation - City of Arts, under the patronage of the Academy of Fine Arts of Rome and AICA, International Association of Art Critics. Organized by Special Company Palaexpo in collaboration with Twiceout.

The exhibition project retraces fifteen years of Vincenzo Scolamiero's pictorial research, a Painting professor at the Department of Visual Arts of the Academy of Fine Arts of Rome, the city where he lives and works. This broad time span allows for a deep understanding of the artist's evolution, whose first solo exhibition was held at the historic Al Ferro di Cavallo gallery in Rome in 1987, offering a comprehensive view of his production. The exhibition features over thirty works, including paintings on canvas and wood, papers, and artist books.

The exhibition explores the multiple areas that have always nourished the artist's research, deeply influenced by poetry, music, and a constant attention to the smallest traces of daily life. In this way, painting becomes a place of profound reflection, a symptom of inner mobility and a philosophical attitude towards life.

The title "With some part of the earth," taken from a verse by poet Louise Glück, refers to a totalizing relationship with the world, which emerges in the exhibited works through minimal traces, a sign of reflections on the transience and impermanence of one's condition. Navigating through the pavilion, a painting characterized by the construction of a dynamic space emerges, centered on the concept of emptiness as a constructive element.

The beginning of the exhibition path consists of works where compositional balance is built on few elements and characterized by minimal spatial suspension, while the subsequent environments present a series of works with a gradual opening towards greater tonal and structural complexity due to an increasingly close relationship that the artist establishes with music and poetry. Direct references of this relationship can be found in the titles of the works, such as Piero Bigongiari, Harrison Birtwistle, Louise Glück, Luigi Nono.