logo
Log in
EN
IT
FR
DE
ES
logo
EN
IT
FR
DE
ES
artsupp banner
Log in
Concierge (Concierge)
Self-portrait
Self-portrait
Vallon to Volpedo
January in Padua
In Fiumelatte from the railway underpass
Vibrant
The blue vase
The candle
The long wait
Medieval motif
Drawings for a fresco. Mary Magdalene at the foot of the cross
The woman of the emigrant
Idyll. The tree of Life
Portrait of Giovanni Cantù
Study of figures for spring idyll
May morning
The bridge
Portrait of peasants (Portrait of Signora Battegazzore)
Portrait of a peasant owner
Will be
The exit of the workers from the Pirelli factory
Night work at Termini Station
Piazza Caricamento in Genoa
Reflections of a hungry. Study
Strike
Ona city street
Tears
Painful reflections
To the Italian economic kitchens
I remember when I was a girl
The search for light. Study for central triptych image
Caryatids
Harvesting hay
The sower
Morning in the workshop
Going to the factory
Solitude
The sun
Hail Mary in transit
Robbery
Believers
Return from the alp
Maize on the farmyard
On the Ligurian coast (Sulla costa ligure)
Curious old women
San Martino d'Albaro
Maternal love
April morning
April sun
Midday in Manarola
The disk of the sun
Summer. Morning
Landscape. Study
Rainy day
Spring in Val Sassina
Viaticum
The melancholy of the sun
Pasture
The gray village
Landscape
The abandoned cart
Maternity
Adoration of the Magi
The way to Calvary
Penumbra
Suburb
Morning
Autumn afternoon
Morning
Figure of a Woman (Portrait of Violette)
The nostalgic hour on Mé-Nam
Portrait of Armando Mazza
House under construction
Concierge (Concierge)
Self-portrait
Self-portrait
Vallon to Volpedo
January in Padua
In Fiumelatte from the railway underpass
Vibrant
The blue vase
The candle
The long wait
Medieval motif
Drawings for a fresco. Mary Magdalene at the foot of the cross
The woman of the emigrant
Idyll. The tree of Life
Portrait of Giovanni Cantù
Study of figures for spring idyll
May morning
The bridge
Portrait of peasants (Portrait of Signora Battegazzore)
Portrait of a peasant owner
Will be
The exit of the workers from the Pirelli factory
Night work at Termini Station
Piazza Caricamento in Genoa
Reflections of a hungry. Study
Strike
Ona city street
Tears
Painful reflections
To the Italian economic kitchens
I remember when I was a girl
The search for light. Study for central triptych image
Caryatids
Harvesting hay
The sower
Morning in the workshop
Going to the factory
Solitude
The sun
Hail Mary in transit
Robbery
Believers
Return from the alp
Maize on the farmyard
On the Ligurian coast (Sulla costa ligure)
Curious old women
San Martino d'Albaro
Maternal love
April morning
April sun
Midday in Manarola
The disk of the sun
Summer. Morning
Landscape. Study
Rainy day
Spring in Val Sassina
Viaticum
The melancholy of the sun
Pasture
The gray village
Landscape
The abandoned cart
Maternity
Adoration of the Magi
The way to Calvary
Penumbra
Suburb
Morning
Autumn afternoon
Morning
Figure of a Woman (Portrait of Violette)
The nostalgic hour on Mé-Nam
Portrait of Armando Mazza
House under construction

Maternal love

Giovanni Segantini

Displayed in:

Pinacoteca il Divisionismo

Pinacoteca il Divisionismo

Corso Leoniero, 2, Tortona

Closed today: open Saturday at 15:00

Verified profile

The characters of Maternal Love are carried forward with a robust and vibrant pictorial sign of chiaroscuro, crushed and elongated as the Segantinian brushstroke, differently directed to suggest the delicacy of the skin, the lightness of the clothes, the disorder of the grass in the countryside, the wind energy in the sky. In the absence of specific documents relating to the drawing, in the general catalog of Segantini drawn up in 1982 Annie-Paule Quinsac puts forward the hypothesis that it is a table intended for a children's book, as indicated by both the graphic layout and the handwritten inscription. present in the lower register Mom: the molosser growls, words that seem to be pronounced by the frightened child. A second, well-worn sentence then emerges in the upper right corner near a couple of flying birds: "Giovanni Segantini offers Giovanni Segantini October 1890 to his friend Vittorio Zippel." The finding in recent times of unpublished correspondence between the maestro from Arco and Vittorio Zippel, an irredentist from Trentino, journalist and editor only two years younger than Segantini, have allowed the exact reconstruction of the history of charcoal. It was specially created for the "Strenna Trentina Literary and Artistic" of 1891, a publication edited by Zippel himself, reproduced in photolithography accompanying the opening article "Trentino nel 1890".
Read more

Details

Title: Maternal love

Author: Giovanni Segantini

Date: 1890

Technique: Charcoal and watercolor on gray paper

Displayed in: Pinacoteca il Divisionismo

Exhibitions

about the artist

All ongoing and upcoming exhibitions where there are works by

Other works

at Tortona

Related Searches

See more