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Medardo Rosso - Concierge (Concierge)
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Gino Severini - Self-portrait
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Luigi Russolo - Self-portrait
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Giuseppe Pelizza da Volpedo - Vallon to Volpedo
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Umberto Boccioni - January in Padua
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Vittore Grubicy de Dragon - In Fiumelatte from the railway underpass
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Sexto Canegallo - Vibrant
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Pietro Mengarini - The blue vase
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Cornelio Geranzani - The candle
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Domenico Guerello - The long wait
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Luigi Conconi - Medieval motif
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Emilio Longoni - Drawings for a fresco. Mary Magdalene at the foot of the cross
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Giuseppe Pelizza da Volpedo - The woman of the emigrant
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Giuseppe Pelizza da Volpedo - Idyll. The tree of Life
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Giuseppe Pelizza da Volpedo - Portrait of Giovanni Cantù
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Giuseppe Pelizza da Volpedo - Study of figures for spring idyll
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Giuseppe Pelizza da Volpedo - May morning
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Giuseppe Pelizza da Volpedo - The bridge
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Giuseppe Pelizza da Volpedo - Portrait of peasants (Portrait of Signora Battegazzore)
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Giuseppe Pelizza da Volpedo - Portrait of a peasant owner
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Flavio Bertelli - Will be
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Giovanni Sottocornola - The exit of the workers from the Pirelli factory
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Giovanni Battista Crema - Night work at Termini Station
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Plinio Nomellini - Piazza Caricamento in Genoa
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Emilio Longoni - Reflections of a hungry. Study
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Plinio Nomellini - Strike
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Emilio Longoni - Ona city street
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Giuseppe Mentessi - Tears
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Attilio Pusterla - Painful reflections
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Attilio Pusterla - To the Italian economic kitchens
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Angelo Morbelli - I remember when I was a girl
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Angelo Morbelli - The search for light. Study for central triptych image
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Baldassare Longoni - Caryatids
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Giovanni Segantini - Harvesting hay
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Carlo Fornara - The sower
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Plinio Nomellini - Morning in the workshop
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Gino Romiti - Going to the factory
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Emilio Longoni - Solitude
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Angelo Barabino - The sun
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Giovanni Segantini - Hail Mary in transit
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Angelo Barabino - Robbery
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Angelo Morbelli - Believers
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Giovanni Battista Ciolina - Return from the alp
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Angelo Torchi - Maize on the farmyard
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Plinio Nomellini - On the Ligurian coast (Sulla costa ligure)
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Angelo Morbelli - Curious old women
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Giorgio Kienerk - San Martino d'Albaro
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Giovanni Segantini - Maternal love
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Plinio Nomellini - April morning
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Alfredo Müller - April sun
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Llewelyn Lloyd - Midday in Manarola
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Llewelyn Lloyd - The disk of the sun
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Benvenuto Benvenuti - Summer. Morning
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Rubaldo Merello - Landscape. Study
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Filiberto Minozzi - Rainy day
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Leonardo Dudreville - Spring in Val Sassina
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Cesare Maggi - Viaticum
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Cesare Maggi - The melancholy of the sun
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Carlo Fornara - Pasture
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Carlo Cressini - The gray village
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Giacomo Balla - Landscape
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Serafino Macchiati - The abandoned cart
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Gaetano Previati - Maternity
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Gaetano Previati - Adoration of the Magi
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Gaetano Previati - The way to Calvary
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Gaetano Previati - Penumbra
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Matteo Olivero - Suburb
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Arturo Noci - Morning
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Aleardo Terzi - Autumn afternoon
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Camillo Innocenti - Morning
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Enrico della Leonessa - Figure of a Woman (Portrait of Violette)
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Galileo Chini - The nostalgic hour on Mé-Nam
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Umberto Boccioni - Portrait of Armando Mazza
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Umberto Boccioni - House under construction
Medardo Rosso - Concierge (Concierge)
Gino Severini - Self-portrait
Luigi Russolo - Self-portrait
Giuseppe Pelizza da Volpedo - Vallon to Volpedo
Umberto Boccioni - January in Padua
Vittore Grubicy de Dragon - In Fiumelatte from the railway underpass
Sexto Canegallo - Vibrant
Pietro Mengarini - The blue vase
Cornelio Geranzani - The candle
Domenico Guerello - The long wait
Luigi Conconi - Medieval motif
Emilio Longoni - Drawings for a fresco. Mary Magdalene at the foot of the cross
Giuseppe Pelizza da Volpedo - The woman of the emigrant
Giuseppe Pelizza da Volpedo - Idyll. The tree of Life
Giuseppe Pelizza da Volpedo - Portrait of Giovanni Cantù
Giuseppe Pelizza da Volpedo - Study of figures for spring idyll
Giuseppe Pelizza da Volpedo - May morning
Giuseppe Pelizza da Volpedo - The bridge
Giuseppe Pelizza da Volpedo - Portrait of peasants (Portrait of Signora Battegazzore)
Giuseppe Pelizza da Volpedo - Portrait of a peasant owner
Flavio Bertelli - Will be
Giovanni Sottocornola - The exit of the workers from the Pirelli factory
Giovanni Battista Crema - Night work at Termini Station
Plinio Nomellini - Piazza Caricamento in Genoa
Emilio Longoni - Reflections of a hungry. Study
Plinio Nomellini - Strike
Emilio Longoni - Ona city street
Giuseppe Mentessi - Tears
Attilio Pusterla - Painful reflections
Attilio Pusterla - To the Italian economic kitchens
Angelo Morbelli - I remember when I was a girl
Angelo Morbelli - The search for light. Study for central triptych image
Baldassare Longoni - Caryatids
Giovanni Segantini - Harvesting hay
Carlo Fornara - The sower
Plinio Nomellini - Morning in the workshop
Gino Romiti - Going to the factory
Emilio Longoni - Solitude
Angelo Barabino - The sun
Giovanni Segantini - Hail Mary in transit
Angelo Barabino - Robbery
Angelo Morbelli - Believers
Giovanni Battista Ciolina - Return from the alp
Angelo Torchi - Maize on the farmyard
Plinio Nomellini - On the Ligurian coast (Sulla costa ligure)
Angelo Morbelli - Curious old women
Giorgio Kienerk - San Martino d'Albaro
Giovanni Segantini - Maternal love
Plinio Nomellini - April morning
Alfredo Müller - April sun
Llewelyn Lloyd - Midday in Manarola
Llewelyn Lloyd - The disk of the sun
Benvenuto Benvenuti - Summer. Morning
Rubaldo Merello - Landscape. Study
Filiberto Minozzi - Rainy day
Leonardo Dudreville - Spring in Val Sassina
Cesare Maggi - Viaticum
Cesare Maggi - The melancholy of the sun
Carlo Fornara - Pasture
Carlo Cressini - The gray village
Giacomo Balla - Landscape
Serafino Macchiati - The abandoned cart
Gaetano Previati - Maternity
Gaetano Previati - Adoration of the Magi
Gaetano Previati - The way to Calvary
Gaetano Previati - Penumbra
Matteo Olivero - Suburb
Arturo Noci - Morning
Aleardo Terzi - Autumn afternoon
Camillo Innocenti - Morning
Enrico della Leonessa - Figure of a Woman (Portrait of Violette)
Galileo Chini - The nostalgic hour on Mé-Nam
Umberto Boccioni - Portrait of Armando Mazza
Umberto Boccioni - House under construction

Other works on display

Description

Like the portrait, Arturo Noci's favorite genre, the nude assumes great importance in the painter's production after 1903. Thanks also to the fame he achieved thanks to authoritative clients and buyers, Noci established himself as a portraitist, participating without interruption in the most important Italian events and ester. In 1912 the artist was among the promoters of the Roman Secession, an institution built in antithesis to the now obsolete Society of Amateurs and Cultors with the intention of encouraging openings and connections in the international environment, becoming one of the undisputed ones with Camillo Innocenti and Enrico Lionne protagonists. Exposed in 1916 at the fourth and last exhibition of the Roman Secession, Mattino uses an iconography already abundantly experimented by Noci and very fashionable in those years: turned towards a window woven with yellows and oranges, a girl is sitting on a bed of wider and more disordered multicolored brushstrokes on which the green pillow and a small mirror hinted at by short touches stand out, while her bare back, sturdy but supple, collects the light of the room in a superficial warping of cold notes. The degasian pose, the sensual colors a la Bonnard and the rapid and fragmentary sign close to Toulouse Lautrec, reveal a large French and Nabis influence.

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Weeping eye

Anne Poirier; Patrick Poirier

placePalermo, , Italy

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