logo
Log in
EN
IT
FR
DE
ES
logo
EN
IT
FR
DE
ES
artsupp banner
Log in
Concierge (Concierge)
Self-portrait
Self-portrait
Vallon to Volpedo
January in Padua
In Fiumelatte from the railway underpass
Vibrant
The blue vase
The candle
The long wait
Medieval motif
Drawings for a fresco. Mary Magdalene at the foot of the cross
The woman of the emigrant
Idyll. The tree of Life
Portrait of Giovanni Cantù
Study of figures for spring idyll
May morning
The bridge
Portrait of peasants (Portrait of Signora Battegazzore)
Portrait of a peasant owner
Will be
The exit of the workers from the Pirelli factory
Night work at Termini Station
Piazza Caricamento in Genoa
Reflections of a hungry. Study
Strike
Ona city street
Tears
Painful reflections
To the Italian economic kitchens
I remember when I was a girl
The search for light. Study for central triptych image
Caryatids
Harvesting hay
The sower
Morning in the workshop
Going to the factory
Solitude
The sun
Hail Mary in transit
Robbery
Believers
Return from the alp
Maize on the farmyard
On the Ligurian coast (Sulla costa ligure)
Curious old women
San Martino d'Albaro
Maternal love
April morning
April sun
Midday in Manarola
The disk of the sun
Summer. Morning
Landscape. Study
Rainy day
Spring in Val Sassina
Viaticum
The melancholy of the sun
Pasture
The gray village
Landscape
The abandoned cart
Maternity
Adoration of the Magi
The way to Calvary
Penumbra
Suburb
Morning
Autumn afternoon
Morning
Figure of a Woman (Portrait of Violette)
The nostalgic hour on Mé-Nam
Portrait of Armando Mazza
House under construction
Concierge (Concierge)
Self-portrait
Self-portrait
Vallon to Volpedo
January in Padua
In Fiumelatte from the railway underpass
Vibrant
The blue vase
The candle
The long wait
Medieval motif
Drawings for a fresco. Mary Magdalene at the foot of the cross
The woman of the emigrant
Idyll. The tree of Life
Portrait of Giovanni Cantù
Study of figures for spring idyll
May morning
The bridge
Portrait of peasants (Portrait of Signora Battegazzore)
Portrait of a peasant owner
Will be
The exit of the workers from the Pirelli factory
Night work at Termini Station
Piazza Caricamento in Genoa
Reflections of a hungry. Study
Strike
Ona city street
Tears
Painful reflections
To the Italian economic kitchens
I remember when I was a girl
The search for light. Study for central triptych image
Caryatids
Harvesting hay
The sower
Morning in the workshop
Going to the factory
Solitude
The sun
Hail Mary in transit
Robbery
Believers
Return from the alp
Maize on the farmyard
On the Ligurian coast (Sulla costa ligure)
Curious old women
San Martino d'Albaro
Maternal love
April morning
April sun
Midday in Manarola
The disk of the sun
Summer. Morning
Landscape. Study
Rainy day
Spring in Val Sassina
Viaticum
The melancholy of the sun
Pasture
The gray village
Landscape
The abandoned cart
Maternity
Adoration of the Magi
The way to Calvary
Penumbra
Suburb
Morning
Autumn afternoon
Morning
Figure of a Woman (Portrait of Violette)
The nostalgic hour on Mé-Nam
Portrait of Armando Mazza
House under construction

Hail Mary in transit

Giovanni Segantini

Displayed in:

Pinacoteca il Divisionismo

Pinacoteca il Divisionismo

Corso Leoniero, 2, Tortona

Closed today: open Saturday at 15:00

Verified profile

The drawing Ave Maria in transshipment, represents a variant of the version of the homonymous oil of 1886. Compared to the original work, which depicts a couple of shepherds in prayer with a newborn, crammed together with the flock of sheep on a small boat that at dusk the calm waters of Lake Pusiano, near Como, the Ave Maria charcoal transshipment undergoes fundamental variations, starting from the specular inversion to which the composition is subjected; the shot tightens on the boat alone, cut in the upper terminal part, the sky is completely eliminated, the daylight replaced by the night light of the moon, which, half hidden by the clouds, is reflected in the water rippling in a semicircle around the boat and to his mute crew, to accentuate the intimate recollection of the late hour. Any reference to narrative concreteness is lost in favor of the expression of a universal echo that unites men, the earth and animals in an analogous, great destiny of belonging to nature. The power of the sign, albeit very delicate, distributed to create surprising luminous effects, is then further capable of increasing the metaphorical, evocative and alienating aura, which is enriched by the properties of tracing paper (support of the work), material suitable for capture the light and achieve unexpected results of transparency.
Read more

Details

Title: Hail Mary in transit

Author: Giovanni Segantini

Date: 1890 - 1893

Technique: Charcoal and white chalk on tracing paper

Displayed in: Pinacoteca il Divisionismo

Exhibitions

about the artist

All ongoing and upcoming exhibitions where there are works by

Other works

at Tortona

Related Searches

See more