The Askoid jugs are local products found both in residential and cultural contexts of Nuragic Sardinia. Analyzes conducted on this class of materials preserved in our museum, revealed traces of a fermented liquid similar to a liqueur.

On a small rectangular base from which bare feet protrude, stands a human figure who, raising his arms bent at the elbow, turns his palms forward. The bronze statue wears a conical-cylindrical helmet with a longitudinal crest and two curved horns on the forehead; it is a headdress that refers to the military rank.

In nuragic sculpture the animal world is reproduced with great sensitivity. When this civilization flourished in Sardinia, man had contributed to shaping nature by introducing plants and animals that he needed for his activities, respectfully managing the environment in which he lived and practicing extensive forms of farming that allowed the conservation of many species and natural habitats.

Inside the 19 tombs that formed the necropolar area of Cuccuru is Arrius, female statuettes of a volumetric-naturalistic style were found and whose evidence appears in various locations in the Mediterranean. The discovery of these artifacts inside the tombs suggests their use in a ritual context, also considering the fact that these statuettes were placed in the right hand of the deceased. The most common hypotheses about the interpretation of their meaning concern their link to the name "mother goddess", that is the representation of a guardian deity of the life cycle, of death and rebirth.

The term "faretrine" indicates triangular plate pendants equipped with two eyelets and reproducing a leather dagger sheath in miniature forms. On one side the decoration has pins or stilettos in number from one to four and on the other side two types of dagger typical of nuragic armament: simple hilt or "gammata hilt", recurrent in Nuragic figurative bronzework as an insignia of rank.

The ceramic prototypes of this class of objects are to be found in the pilgrim's flasks, flask-shaped containers with a lenticular or plano-convex section, with four small vertical handles passing along the circumference which must have housed a lace probably made of leather.

The sculpture depicts a cylindrical single-tower nuraghe whose upper part is characterized by the representation, by means of engravings, of protruding shelves that served as support for the top terrace. This category of objects represents an essential source to understand what the original appearance of the buildings was, its representation is in fact present on the bronze artefacts, in the form of miniaturistic models, ornaments and "buttons", nuragic ships, weapons of the nuragic panoply and ceramic vessels. The study of this class of objects is therefore fundamental for the understanding of rites and cults within the nuragic community.

The presence of weights in Sardinia, often associated with spindle whorls, is the main source of information about weaving. These objects appear from the Neolithic to become frequent in the Bronze and Iron Ages and their function was to keep the warp threads taut. The contexts of finding the weights are prevalent in the residential sphere, less frequently in the cultic and to a lesser extent in the funerary sphere, suggesting a role that goes beyond the domestic sphere.