The lunette was detached in 1923 for conservation reasons from the Oratory of Sant’Antonio under the patronage of Ginori. The psychological refinement of the angelic heads recalls the melancholy figures painted by the late Filippino, while in the modeling and sculptural head of the saint there are references to the harsh expressionism of Verrocchio. The bezel is made up of twelve pieces mounted and assembled together, according to the typical methodology of the Della Robbia workshop.