Original interpretation of the encounter between Christ and the Magdalene, recognized as a masterpiece by Battistello Caracciolo, an artist we know today was in direct relationship with Merisi in Naples, and who was the first to convey the powerful luministic naturalism in the Neapolitan environment with a personal interpretation contemporary and later generation painters. The work is characterized by the strength of the gesture and the theatricality of the story borrowed from the artistic experiences of the Florentine painters of the early seventeenth century.