Palazzo Sturm, from whose belvedere you can enjoy an unparalleled view of the Brenta River and the Ponte degli Alpini, was donated to the Municipality of Bassano by Baron Giovanni Battista Sturm von Hirschfeld in 1943. The precious residence commissioned by Vincenzo Ferrari, an important silk industrialist and merchant, was built around the mid-18th century.

The building has over seventy rooms spread over seven levels and decorated by the Veronese painter Giorgio Anselmi around 1760. The mythological and allegorical subjects, represented with a taste reminiscent of the manner of the so-called Roman-Bolognese baroque triumphs, allude to the commercial and economic enterprises of the Ferrari family's manufacturing. These frescoes are now once again visible, thanks to an excavation campaign carried out in 2018.

The ground floor of the palace houses the Remondini Printing Museum, dedicated to the typography and copperplate engraving of the famous family of graphic entrepreneurs from Bassano. The Remondini family can be credited with what can be considered the world's first major image company, an industrial giant that made its fortune between the 17th and 19th centuries by focusing on originality, variety, and export. Their engravings imposed iconographic models that helped give a nearly universal visual image to stories, places, and even cults. The museum illustrates all aspects of the Remondini industrial phenomenon, in an ideal journey through their entire production which includes, among others, books, decorated papers, popular engravings, games, optical views, and the etchings and woodcuts of great Italian and European engravers such as Andrea Mantegna, Albrecht Dürer, Luca di Leyda, Marcantonio Raimondi, Ugo da Carpi, Jacques Callot, and many others.

On the noble floor, the Giuseppe Roi Ceramics Museum collects the city collections that have been transferred and set up at Palazzo Sturm since 1992, testimonies of the important Bassano ceramic tradition, which has seen among its protagonists the Antonibon family, as well as other significant Italian manufacturers. The collections are arranged according to chronological criteria starting from the 16th century, grouping the materials within the different historical periods, different manufacturers, and creating distinct sections for executive technique.