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Pietro di Cristoforo Vannucci, detto Perugino - Two men in conversation
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Pietro di Cristoforo Vannucci, detto Perugino - A saint standing with a book in his hand
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Giulio Romano - Mystical marriage of Saint Catherine with Saints
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Saint John the Evangelist
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Facade of a building
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Biagio Pupini, detto Dalle Lame - Christ among the doctors
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Pietro di Cristoforo Vannucci, detto Perugino - Young man playing the lute and studying details of his hands
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Giulio Romano - Head of a Woman in the Wedding Feast of Cupid and Psyche
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Piero Bonaccorsi, detto Perino del Vaga - Project for the ceiling of the atrium of Palazzo Doria
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Piero Bonaccorsi, detto Perino del Vaga - Study for the border of a tapestry and grotesque decorations
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Polidoro Caldara, detto Polidoro da Caravaggio - Studies of heads and limbs
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Baccio Bandinelli - Four men around the base of a column
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Vincenzo Tamagni - Madonna and Child with Saints
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Vincenzo Tamagni - Blood of the Redeemer
Pietro di Cristoforo Vannucci, detto Perugino - Two men in conversation
Pietro di Cristoforo Vannucci, detto Perugino - A saint standing with a book in his hand
Giulio Romano - Mystical marriage of Saint Catherine with Saints
Saint John the Evangelist
Facade of a building
Biagio Pupini, detto Dalle Lame - Christ among the doctors
Pietro di Cristoforo Vannucci, detto Perugino - Young man playing the lute and studying details of his hands
Giulio Romano - Head of a Woman in the Wedding Feast of Cupid and Psyche
Piero Bonaccorsi, detto Perino del Vaga - Project for the ceiling of the atrium of Palazzo Doria
Piero Bonaccorsi, detto Perino del Vaga - Study for the border of a tapestry and grotesque decorations
Polidoro Caldara, detto Polidoro da Caravaggio - Studies of heads and limbs
Baccio Bandinelli - Four men around the base of a column
Vincenzo Tamagni - Madonna and Child with Saints
Vincenzo Tamagni - Blood of the Redeemer

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Description

Vincenzo Tamagni's talent as a draftsman was highly appreciated as early as the 16th century, and his drawings were sought after and purchased by many collectors, including Giorgio Vasari and Pierre-Jean Mariette (1694-1774), the famous connoisseur to whom this sheet is belonged. In the Virgin Enthroned with Child and Saints Tamagni readjusted a form of compositional schemes familiar to him. The Virgin is placed on a raised throne with the Child balanced on her lap; the saints are difficult to identify, as they lack clear attributes, with the exception of the saint to the left of the Virgin, who could be St. Catherine of Siena. In the quick sketch of the Christ carrying the cross, Tamagni has an afterthought on the pose of Jesus' right arm which at first he imagined stretched out and bleeding, and finally bent to hold the cross. Both sheets are also drawn on the reverse, with mythological scenes.


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