It is the cornerstone of the museum: it welcomes the visitor in the center of the courtyard and the tour itinerary develops around it. The work was exhibited at the Venice Biennale in 1962 and contains the aesthetic and expressive power characteristic of the period of Existential Realism experienced by Floriano Bodini in his youth. The sculpture consists of two figures: one lifeless lying supine on the legs of another kneeling who expresses all her pain through the tension of the arm towards the sky and the deformed face in a scream. It is a work that demonstrates Bodini's ability to enter the deepest soul of Man and make the deepest and most ineffable feelings visible and concrete.