Precious seventeenth-century engraving that reproduces in contrast the famous drawing attributed to Pieter Paul Rubens of the dispute for the banner, in turn inspired by the famous mural painting by Leonardo Da Vinci for the Battle of Anghiari.

Artist, but also poet, writer, playwright and director, Emilio Isgrò is one of the best known and most prestigious names in Italian art on an international level. On the occasion of the 500th anniversary of the death of Leonardo da Vinci, Isgrò created this work to celebrate the great genius of Vinci and the work has become part of the permanent collection of the Museum.

The Battagli and Anghiari Museum houses some precious engravings by the German artist Albrecht Dürer. This woodcut, the carved block of which is preserved in the Metropolitan Museum of New York, represents the biblical scene of the Old Testament, when Samson in the vineyard of Timna meets a roaring lion "the Spirit of the Lord struck him and, with nothing in his hand, tore apart the lion as a kid tears apart. But what he had done he said nothing to his father or mother "(Judges 14, 5-6). Datable to 1497-98, due to the many affinities with the sheets of the Apocalypse, the convincing hypothesis has been advanced that the head of Samson may be the citation of Leonardo Da Vinci's Christ carrying the cross, a drawing preserved in Venice and perhaps present in that city even at the time of Dürer's first voyage.

The Catorcio (bolt) that closed one of the doors of Anghiari. Stolen by the citizens of Biturgia in 1450, it was the casus belli due to numerous frictions between the two communities.