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With an umbrella in the snow
L'attore Kabuki Iwai Kumesaburo II
Cup with spout
Cup with ibex
Akshobya
Box for paper and documents
Candlestick base
Safavid tile
Commentary on the 40 Traditions
Fragment of Prabhamandala
Ushnishavijaya
Stupa with cosmic Buddhas
Mamluk Ampoule
Prajñaparamita manuscript with double cover
Winter landscape at a watercourse
Tamon-Ten
Akshobhya the Buddha of the eastern direction
Mirror box
Inro with Tokaido stations
glass thu
Hu vase with painted decoration
Urn for the soul (Hunping)
Reclining Buddha in Parinirvana
Fox dance
Architectural fragment with Shiva and a Vyala
Anthropomorphic neck jar
Civil servant on high pedestal
Jnana Dakshinamurti
Head of Vishnu
Shalabhanjika
destroy
Worship of Krishna
Head of a bearded man (Silenus or Atlas)
Buddha and ascetic
The defeat of Mara
Shakyamuni Buddha on the throne of lions
With an umbrella in the snow
L'attore Kabuki Iwai Kumesaburo II
Cup with spout
Cup with ibex
Akshobya
Box for paper and documents
Candlestick base
Safavid tile
Commentary on the 40 Traditions
Fragment of Prabhamandala
Ushnishavijaya
Stupa with cosmic Buddhas
Mamluk Ampoule
Prajñaparamita manuscript with double cover
Winter landscape at a watercourse
Tamon-Ten
Akshobhya the Buddha of the eastern direction
Mirror box
Inro with Tokaido stations
glass thu
Hu vase with painted decoration
Urn for the soul (Hunping)
Reclining Buddha in Parinirvana
Fox dance
Architectural fragment with Shiva and a Vyala
Anthropomorphic neck jar
Civil servant on high pedestal
Jnana Dakshinamurti
Head of Vishnu
Shalabhanjika
destroy
Worship of Krishna
Head of a bearded man (Silenus or Atlas)
Buddha and ascetic
The defeat of Mara
Shakyamuni Buddha on the throne of lions

Commentary on the 40 Traditions

Anonymous

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MAO - Museum of Oriental Art

MAO - Museum of Oriental Art

Via San Domenico, 11, Turin

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The commentary, attributed to the Prophet, was compiled and translated by the Persian poet Ahmad al-Jami (1414-1492) and was copied by the calligrapher Muhammad al-Sabzevari. The Arabic text (in large muhaqqaq characters) is written in gold with blue vocalizations, the Persian in smaller rayhan characters in black. Leading and intercolumn separations are drawn in gold. The first two sheets are illuminated in gold and colors. Another copy of this same text by the same scribe, but dated 1499, is in the Bibliothèque Nationale in Paris.
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Title: Commentary on the 40 Traditions

Author: Anonymous

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Displayed in: MAO - Museum of Oriental Art

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