At her first solo exhibition, the young artist from Sassari Eleonora Desole, presents at the Organic Museum the unprecedented site-specific installation Visions call to an empty night. In a muffled space that cancels the physical boundaries of the exhibition hall, the artist arranges fragments of nature, images, sounds, and emotions: a dark place occasionally interrupted by blades of uncertain light, concealing a forest where water flows silently and a silent wind stirs trees, branches, and leaves. These are traces of a black and white nature that renews the perpetual cycle of life and death. The exhibition space thus becomes a dreamlike and twilight space, intangible and with uncertain boundaries, inhabited by visions that evoke ancient pagan rituals. Fantastic forms suspended in the void, ethereal, evanescent, and unreachable, zoomorphic fetishes sway slowly in a void pregnant with expectations, crossed by the intermittent murmur of many indistinct but familiar voices that inhabit the night, marking the inexorable passage of time. Eleonora Desole transports the viewer into an imaginary and primordial space where darkness, seemingly empty, is dense with possibilities not yet expressed or not yet grasped: an invitation to mirror oneself in the primordial nature to rediscover within oneself the infinite traces of the universe.