The exhibition LOVE CALLS COLOR takes as a paradigm of reflection a work in the collection, Love calls color IV (1956) by Piero Dorazio, which becomes the starting point for a journey in which the nature of color is investigated not only in its technical properties, but also as a scientific fact, cultural symbol, political choice, or extension of an emotional state. 

The group exhibition, curated by Giuliana Benassi, explores the role of color through a selection of new acquisitions, alongside works already present in the collection and works by artists specifically invited.