(Im)Presa quotidiana arises from a simple and profound reflection:
art is not an extraordinary episode, but a daily commitment.

The title plays on the double meaning of "impresa" (enterprise) and "presa" (grasp):
the challenge of a vocation cultivated with discipline and tenacity,
and the concrete grasp on the world that the work exercises in its materialization.

The path unfolds along two complementary axes, following the tools through which Rachele Bianchi has built her own self-taught revolution.

Seventy years of practice are gathered in a dense weave of works, giving back the rhythm of creation, the technical curiosity, and the silent discipline that have built, day after day, the art of Rachele Bianchi.

On one hand, drawing, evoked by the pencil: the place of the mark, of collected reflection, of an intimate and guarded work.

On the other hand, the miretta, which incises and shapes: the gesture that transforms the mark into a body, that leads to three-dimensionality and public space.

Seventy years of practice are arranged in proximity, almost in density, to give back the rhythm of creation, the technical curiosity, the silent discipline that has built, day after day, the work of Rachele Bianchi.

For those who already know the Archive, it will be a different way to go through it.
For those who return, it will be a new perspective.
For those who come for the first time, it will be a meeting.