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The resurrection of Lazarus
Portrait of Isabella of Spain
Large still life with lamp on the right
The dream of the wise
Pictorial map of Milan
Interior of a ruined church or temple with figures
The woman (The sphynx)
The world is mostly a madhouse
The sleep of reason produces monsters.
The wave
Opening of the Simplon. Milan International Exhibition 1906
Coria Pirelli
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Barcelona City Hall - 3rd Exhibition of Fine Arts and Artistic Industries
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Who are the managers - Il Mondo, no. 4, January 26, 1979 (cover)
Albert Camus, The Plague, Paris, Gallimard 1991 (cover)
Exporting Capital - Il Mondo, n. 12, 21 March 1983 (cover)
Kites
Pressured by the Tax Authorities - Il Mondo, issue 13, March 30, 1979 (cover)
The Lira in danger - the World, no. 14, April 4, 1983 (cover)
The resurrection of Lazarus
Portrait of Isabella of Spain
Large still life with lamp on the right
The dream of the wise
Pictorial map of Milan
Interior of a ruined church or temple with figures
The woman (The sphynx)
The world is mostly a madhouse
The sleep of reason produces monsters.
The wave
Opening of the Simplon. Milan International Exhibition 1906
Coria Pirelli
Società Anonima per la incandescenza a gas. Brevetto Aver
Strega liqueur by G. Alberti Benevento - Chiasso.
Barcelona City Hall - 3rd Exhibition of Fine Arts and Artistic Industries
Victor Bicycles, Overman Wheel Co.
Who are the managers - Il Mondo, no. 4, January 26, 1979 (cover)
Albert Camus, The Plague, Paris, Gallimard 1991 (cover)
Exporting Capital - Il Mondo, n. 12, 21 March 1983 (cover)
Kites
Pressured by the Tax Authorities - Il Mondo, issue 13, March 30, 1979 (cover)
The Lira in danger - the World, no. 14, April 4, 1983 (cover)

The resurrection of Lazarus

Rembrandt Harmenszoon van Rijn, detto Rembrandt

Displayed in:

Achille Bertarelli Print Collection

Achille Bertarelli Print Collection

Piazza Castello, Milan

Closed today: open tomorrow at 10:00

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The press reproduces a painting of a similar subject created by the artist in 1630-1631. The scene illustrates the moment described in the Gospel when Jesus calls Lazarus loudly and the dead man, still bound by strips, emerges from his tomb. Jesus is depicted from behind, with his arm raised, his facial expression not visible. The artist instead shows the faces and gestures of Martha and Mary, the sisters, astonished by the miracle. The skillful use of chiaroscuro accentuates the dramatic nature of the scene. Rembrandt, by engraving with greater or lesser depth a complex network of lines, creates a wide range of grays and blacks, highlighting Lazarus and the people around him in full light, while gradually decreasing the brightness to a dense darkness. In the field of engraving, the great Flemish painter achieves highly effective and unusual effects of light and depth.
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Details

Title: The resurrection of Lazarus

Author: Rembrandt Harmenszoon van Rijn, detto Rembrandt

Date: 1632 approximately.

Technique: Etching and engraving

Displayed in: Achille Bertarelli Print Collection

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