Slowly the eyes get used to the darkness and the details of the painting emerge: the embers of a now extinguished fire, a pitcher and a poker, while herring hung to dry from above. Illuminated by the light are only the face and hands of the elderly gentleman. Original painting by Rembrandt and datable to 1629, the painter's virtuosity is exceptional, with a minimal almost monochrome palette of colors making the scene believable. The meaning of the work is discussed: some think it is a philosopher or a sleeping Tobias, or even the allegory of sloth or the portrait of the painter's father close to death. More recently it was discovered that the painting belonged to Jacques De Gheyn III, a wealthy art lover whom Rembrandt portrayed in 1632, who in 1641 left the painting to his nephew Johannes. In 1628 Constantijn Huygens, Dutch poet and diplomat, writes praising Rembrandt and De Gheyn himself, who is nevertheless indicated as the one who wastes his talents in idleness: one can think that the painting was commissioned to Rembrandt by Huygens as moral exhortation and intellectual joke to De Gheyn's address.