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Corinthian helmet
fullscreen
Jacopo Da Ponte - Flight to Egypt
fullscreen
Michele Giambono - Madonna and Child
fullscreen
Guariento di Arpo - Crucifix
fullscreen
Jacopo Da Ponte - Saint John the Baptist in the desert
fullscreen
Jacopo Da Ponte - Adoration of the shepherds with Saints Victor and Corona known as The Nativity of San Giuseppe
fullscreen
Jacopo Da Ponte - San Martino and the poor with Sant'Antonio Abate
fullscreen
Antonio Canova - Three Graces
fullscreen
Antonio Canova - Venus Italica
fullscreen
Antonio Canova - Penitent Magdalene
fullscreen
Antonio Canova - Five dancers holding crowns
fullscreen
Antonio Canova - Love and Psyche
fullscreen
Antonio Canova - Colossal Horse Head
fullscreen
Artemisia Gentileschi - Susanna and the Elders
fullscreen
Giambattista Tiepolo - Circumcision
fullscreen
Alessandro Magnasco, detto Lissandrino - Refectory of the observant Franciscan friars
fullscreen
Francesco Hayez - Portrait of Francesco Roberti
fullscreen
Bortolo Sacchi - The Stranger
Corinthian helmet
Jacopo Da Ponte - Flight to Egypt
Michele Giambono - Madonna and Child
Guariento di Arpo - Crucifix
Jacopo Da Ponte - Saint John the Baptist in the desert
Jacopo Da Ponte - Adoration of the shepherds with Saints Victor and Corona known as The Nativity of San Giuseppe
Jacopo Da Ponte - San Martino and the poor with Sant'Antonio Abate
Antonio Canova - Three Graces
Antonio Canova - Venus Italica
Antonio Canova - Penitent Magdalene
Antonio Canova - Five dancers holding crowns
Antonio Canova - Love and Psyche
Antonio Canova - Colossal Horse Head
Artemisia Gentileschi - Susanna and the Elders
Giambattista Tiepolo - Circumcision
Alessandro Magnasco, detto Lissandrino - Refectory of the observant Franciscan friars
Francesco Hayez - Portrait of Francesco Roberti
Bortolo Sacchi - The Stranger

Other works on display

Description

The panel of the Madonna and Child comes from the Bassano monastery dedicated to Santa Maria della Misericordia, then in the seventeenth century to the Blessed Giovanna Bonomo. Michele Giambono, a pupil of Jacobello del Fiore, was one of the most lively interpreters in Veneto of Gentile da Fabriano's lesson. The gold background, from which the typical reddish bolus preparation clearly emerges, does not preclude the Madonna and Child from communicating to the observer a spirit of intimate naturalness perceptible in the play of the hands, in the bright color of the complexions, but above all in the intense exchange of glances between mother and child.

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