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Giuseppe De Nittis - Amazon
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Giovanni Fattori - Oxen on the banks of the Arno
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Giacomo Favretto - At the rialto bridge
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Domenico Morelli - Sleeping young woman
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Giovanni Boldini - The page, play with the greyhound
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Alessandro Milesi - Coffee
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Lorenzo Delleani - Fall
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Alberto Pasini - Boats on the Bosphorus
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Antonio Fontanesi - The morning
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Mosè Bianchi - Painter
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Giovanni Boldini - Miss Bell
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Giuseppe Palizzi - Shepherdess at the mountain
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Ettore Tito - Return from the hunt
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Telemaco Signorini - Artillery in Tuscany in Montechiaro greeted by the French wounded in Solferino
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Domenico Morelli - Arabic
Giuseppe De Nittis - Amazon
Giovanni Fattori - Oxen on the banks of the Arno
Giacomo Favretto - At the rialto bridge
Domenico Morelli - Sleeping young woman
Giovanni Boldini - The page, play with the greyhound
Alessandro Milesi - Coffee
Lorenzo Delleani - Fall
Alberto Pasini - Boats on the Bosphorus
Antonio Fontanesi - The morning
Mosè Bianchi - Painter
Giovanni Boldini - Miss Bell
Giuseppe Palizzi - Shepherdess at the mountain
Ettore Tito - Return from the hunt
Telemaco Signorini - Artillery in Tuscany in Montechiaro greeted by the French wounded in Solferino
Domenico Morelli - Arabic

Other works on display

Description

Gold medal at the Boston Exposition of 1890, the year to which its execution can be traced back, the painting, also remembered under the title Notissie Nove and Reading the newspaper, depicts a young woman sitting while sipping a cup of coffee , during a break from reading the Gazzettino of Venice. It is a female portrait set with great skill and elegance, which seems to underline the independent character of the character. It is a happy representation of a scene of everyday life, bourgeois and elegant, built with taste and refinement also thanks to the skilful use of color contrasts (the white of the newspaper, the dark colors of the dress, the lively color of the bow). The work depicts two themes of the painting of the time, a portrait and a view, that of Venice, which is outlined beyond the window, at the bottom of the painting.

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