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Genoa, Liguria, Italy open Visit museumarrow_right_alt

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Giuseppe De Nittis - Amazon
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Giovanni Fattori - Oxen on the banks of the Arno
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Giacomo Favretto - At the rialto bridge
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Domenico Morelli - Sleeping young woman
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Giovanni Boldini - The page, play with the greyhound
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Alessandro Milesi - Coffee
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Lorenzo Delleani - Fall
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Alberto Pasini - Boats on the Bosphorus
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Antonio Fontanesi - The morning
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Mosè Bianchi - Painter
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Giovanni Boldini - Miss Bell
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Giuseppe Palizzi - Shepherdess at the mountain
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Ettore Tito - Return from the hunt
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Telemaco Signorini - Artillery in Tuscany in Montechiaro greeted by the French wounded in Solferino
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Domenico Morelli - Arabic
Giuseppe De Nittis - Amazon
Giovanni Fattori - Oxen on the banks of the Arno
Giacomo Favretto - At the rialto bridge
Domenico Morelli - Sleeping young woman
Giovanni Boldini - The page, play with the greyhound
Alessandro Milesi - Coffee
Lorenzo Delleani - Fall
Alberto Pasini - Boats on the Bosphorus
Antonio Fontanesi - The morning
Mosè Bianchi - Painter
Giovanni Boldini - Miss Bell
Giuseppe Palizzi - Shepherdess at the mountain
Ettore Tito - Return from the hunt
Telemaco Signorini - Artillery in Tuscany in Montechiaro greeted by the French wounded in Solferino
Domenico Morelli - Arabic

Other works on display

Description

The Pastorella al monte delle Raccolte Frugone sees the protagonist together with a group of sheep and two dogs, in a wide-ranging natural space, created through a touch painting that becomes a tool to bring the perception of reality back onto the canvas. The canvas is an example of how the long French stay in Giuseppe Palizzi's painting favored an interest in truth, understood above all as "perception". If, while maintaining a common interest in the choice of subject, his brother Filippo's painting is more oriented towards an objective reproduction of the truth, in his paintings Giuseppe looks more to the overall appearance than to the description of the details. The painting can be placed chronologically among the works of late production, in which the painting, freer, looser and more luminous, seems to be moved by impressionist solicitations.

Other artworks in Genova

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