In the late 1980s of the 20th century, Eva Marisaldi (Bologna, 1966) made her debut on the exhibition scene, which led her, among other things, to participate in two editions of the Venice Biennale (1993 and 2001). From the beginning, her aptitude for observing the world and her ability to translate this experience into visual compositions that are difficult to categorize according to traditional norms were clear, and they manifest in various expressive solutions: installation, sculpture, graphics, video. Starting from the inclination to reflect and analyze what surrounds her, Eva Marisaldi focuses her attention mainly on the private sphere of the individual, on social reality and the environment around them, giving rise to micro-narratives where analogies and contrasts prevail over the essentiality of the story.

The artist synthesizes the results of her investigation into visual, auditory, and literary elements that are as rich in meaning as they are linear in expression, where fantasy alternates with moments of reflection, and poetry with irony. The project designed for Casa Goldoni is proof of this. It unfolds in all the rooms of the building and consists of a series of original works, different in technique and typology but united by a common source of inspiration: the author to whom the museum institution is dedicated and his activity in the field of theater, as well as the world of entertainment and scenic representation in general.