On display the different materials that are part of the Schezen Fund - this year part of the Museum's Photography Collections : from the positives printed by the author to the silver salts, to the large format negatives, up to the precious color slides, together to large prints produced from the original negatives.

Schezen's images lead us on a path that moves from silence to light, crossing themes dear to Louis Kahn such as order, form, amazement, silence.

To the more classic architectural photographs , which return attention to the changing luministic qualities of the space and Kahn's rigorous design research through his best-known works, are added more "reckless" visions and alienating details, in which Schezen proves to interpret in an authorial way the themes of light, shadow and form, paradigms common to architecture and photography.