The drawing Jovencita con lazo (1898) presents a great similarity of formal approaches and compositional structure with respect to this sculpture, and the same happens with three other drawings by Gargallo, which suggests that it may be a feminine archetype of the youthful years of the artist, regardless of the fact that in some cases preliminary sketches or studies are possible for the sculpture of Miss Sureda.
After expeditiously removing some parts (the bows and portions of the hair, and the ends of the shoulders), the sculptor used the cast as a model for casting bronzes.
Title: Portrait of Miss Sureda
Author: Pablo Gargallo
Date: 1907
Technique: Bronze
Displayed in: Pablo Gargallo Museum
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