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Work in progress dell’opera di Jason Dodge A permanently open window
Series of photographic images relating to the production of Barry X Ball's work Matthew Barney
Autographed project by Vito Acconci for the audio installation Two or three structures that hook into a room to support a political boomerang presented at the Mario Diacono Gallery
Photographic work present in the artist's book Zoogeographic Tables
Sampling of colors used to create the Powder work
Pages from Krištof Kintera's artist book
Giulio Paolini during the preparation of his work Scenes of Conversation at the Maramotti Collection
Evgeny Antufiev exhibition poster
Cover of the artist's book Vitebsk - Harar by Enzo Cucchi
Work in progress dell’opera di Jason Dodge A permanently open window
Series of photographic images relating to the production of Barry X Ball's work Matthew Barney
Autographed project by Vito Acconci for the audio installation Two or three structures that hook into a room to support a political boomerang presented at the Mario Diacono Gallery
Photographic work present in the artist's book Zoogeographic Tables
Sampling of colors used to create the Powder work
Pages from Krištof Kintera's artist book
Giulio Paolini during the preparation of his work Scenes of Conversation at the Maramotti Collection
Evgeny Antufiev exhibition poster
Cover of the artist's book Vitebsk - Harar by Enzo Cucchi

Evgeny Antufiev exhibition poster

Evgeny Antufiev

Displayed in:

Maramotti collection

Maramotti collection

Via Fratelli Cervi, 66, Reggio Emilia

Closed today: open Thursday at 14:30

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In the wake of the general collapse of the space of myth, the knowledge of myth becomes the basis for creativity and the perception of reality. (E. A.) With the project "Twelve, wood, dolphin, knife, bowl, mask, crystal, bones and marble - fusion. Exploring materials" inaugurated at the Maramotti Collection in 2013 of which this work is part, Evgeny Antufiev wants to lead the viewer in a perceptive experience of transformation in which materials, objects, shapes - which we usually associate with physical functions - abandon their daily identity to re-enter an archetypal dimension. According to the artist, the ancient, mysterious sacredness of the image has lost its aura; the image is no longer able to connect us to an 'other' dimension, in which we can continue on the path of building our identity, of our relationship with the world. The "display" of Antufiev's world speaks to us of the nostalgia for an eschatological tension in which everything could reconnect between the human and divine planes and in which the creative gesture of man could catalyze an energy in constant mutation, capable of to evoke an immortality, understood not as survival, but as "persistence of meaning".
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Details

Title: Evgeny Antufiev exhibition poster

Author: Evgeny Antufiev

Date: 2013

Technique: Executive Technical Field

Displayed in: Maramotti collection

In the Exhibition: Name: Archives

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