Sidival Fila, Brazilian artist and Franciscan friar, tried to put the seventeenth-century rooms in dialogue, their overabundance of paintings and decorations, with his works, with his techniques, with the thousand threads that are intertwined on his fabrics, looking for new tensions, veiling and revealing the essence of his art. Based on what is and what appears, Sidival's operation is proposed as a perfect objective correlative poetic of materials of reality capable of transforming itself into a concretization of sensitivity.