In his new series “Peakadilly,” Peter Senoner presents hybrid wood panels. His 20 new works—some figurative, some abstract—entwine digital and analog technology. The image carriers were crafted and prepared at his studio, then sent on to DURST, where a digital file was used to print on the pieces, before bringing them back to the studio for artistic finishing. For the viewers, the boundaries between the technological process of printing and the artistry of painting fade into one another.
Expressed through a diverse range of artistic faces—some clear, some abstract, some nearly dissolved—the portrait, a signature theme in Senoner’s works, again emerges in these panels. Eyes or eye symbols exploring the relationship between the observer and the work of art is another recurring motif—who is the observer, and who is being observed?
The multitude of colors and shapes reflects the transformation of nature and the mountains. Senoner’s works invite you to embrace a fresh perspective on both the beauty and the complexity of humanity’s relationship with the mountains.

Peter Senoner, *1970 in Bolzano/Bozen (Italy), independent artist.

Studio house for sculpture, public art interventions, drawing and painting in the historic Fundneyt residence near Klausen/Chiusa (Dolomites, Italy).

Teaches and lectures at various universities.

His works can be found in numerous international public and private collections.