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Galleria Doria Pamphilj verified

Roma, Lazio, IT closed Visit museumarrow_right_alt

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Michelangelo Merisi, detto Caravaggio - Riposo during the escape to Egypt
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Michelangelo Merisi, detto Caravaggio - Saint Giovanni Baptist
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Michelangelo Merisi, detto Caravaggio - Penitent Magdalene
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Raffaello Sanzio - Double Portrait
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Tiziano Vecellio, detto Tiziano - Salomè with the head of Baptista
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Diego Rodríguez de Silva y Velázquez - Pope Innocenzo X Pamphilj Portrait
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Annibale Carracci - Susanna and the Elders
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Filippo Lippi - Annunciation
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Gian Lorenzo Bernini - Portrait of Innocenzo X
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Jan Brueghel il Vecchio - Earthly Paradise with the Original Sin
fullscreen
Jan Van Scorel - Portrait of Agatha van Schoonhoven
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Hans Memling - Compianto of Christ
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Annibale Carracci - Landscape with the escape to Egypt
fullscreen
Jan Brueghel il Vecchio - Madonna with child and animals
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Pieter Brueghel, detto il Giovane - Winter landscape with skaters and birds trap
fullscreen
Quentin Massys - Usurers
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Alessandro Algardi - Olimpia Maidalchini Pamphilj Portrait
Michelangelo Merisi, detto Caravaggio - Riposo during the escape to Egypt
Michelangelo Merisi, detto Caravaggio - Saint Giovanni Baptist
Michelangelo Merisi, detto Caravaggio - Penitent Magdalene
Raffaello Sanzio - Double Portrait
Tiziano Vecellio, detto Tiziano - Salomè with the head of Baptista
Diego Rodríguez de Silva y Velázquez - Pope Innocenzo X Pamphilj Portrait
Annibale Carracci - Susanna and the Elders
Filippo Lippi - Annunciation
Gian Lorenzo Bernini - Portrait of Innocenzo X
Jan Brueghel il Vecchio - Earthly Paradise with the Original Sin
Jan Van Scorel - Portrait of Agatha van Schoonhoven
Hans Memling - Compianto of Christ
Annibale Carracci - Landscape with the escape to Egypt
Jan Brueghel il Vecchio - Madonna with child and animals
Pieter Brueghel, detto il Giovane - Winter landscape with skaters and birds trap
Quentin Massys - Usurers
Alessandro Algardi - Olimpia Maidalchini Pamphilj Portrait

Other works on display

Description

In this early masterpiece by Titian, dated to 1515, the scene is tinged with refined and sensual lyricisms and represents Salome accompanied by the handmaid who supports the tray on which the Baptist's head rests, in which a self-portrait of the author has been recognized.

 



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