Automatic drawing by Juicy with markers on smooth paper, he uses computer science creatively by inventing a generative language (Juicy) that draws bizarre shapes that refer to the vegetable tangle of an undergrowth. Able to combine the aesthetics of the work with the laws of the binary code, potentially capable of creating infinite variations. He managed to invent an original, coherent and open method. Finally, he opens up multiple possibilities for reflection on the relationship between man - machine, nature - automation, bending it to a lucid poetic definition. (1st Prize Winner, Talent Award)
The young artist manages to combine the idea of time with a conscious use of materials, their construction and interaction. The idea of waste, reuse and stratification of materials over time led him to the construction of intense formal schedules. The signs of wear on the surface of the paper create intense contrasts of voids and solids, which slowly become uniform due to the chemical properties of this material. (Winner of the Honorable Mention)
7'24 "animation video in which he recreated in 3D the flowers of Franklinia alatamaha, a plant that has been declared disappeared in nature since the early nineteenth century. The disappearance of the natural form and its evaporation in the cosmos is full of suggestions. While the sound taken from the song of a now extinct bird reaffirms the ecological content of the work in a poetic and melancholy way.
Oil on canvas, which appropriates the surface through the study of ancient and academic memory of the theme of drapery. The mystery of the concealment of reality refers to poetics linked to surrealism. The painting, broken down into its basic elements, is reminiscent of exercises that even find similarities with classical antiquity and with the history of forms in the Warburgian sense.
Sublimation printing on fabric, uses in a conscious way I use the floral pattern in a serial system not an end in itself, inserting the human figure defined in linear and lively terms that return the truth of human movements and situations that from personal become general and identity metaphors . Finally, there is the recovery of a system suitable and conducive to the softness of the embroidery, flexibly transposed onto the print.
Limestone mosaic, black marble, C2FTE S2, elastorapid, iron structure, highlights his interest in the playful practices of the past, almost arriving at an archaeological rediscovery that refers to architecture and its materials, including artisanal ones, such as mosaic. The space is intended as a place of investigation in relation to architecture, it is also the place where interstices and secrets are evoked to be discovered and revealed.
Other works on display