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Galleria Corsini verified

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fullscreen
Giambattista Piazzetta - Judith and Holofernes
fullscreen
Christian Berentz - The Elegant Snack
fullscreen
Corsini Throne
fullscreen
Orazio Gentileschi - Madonna and Child
fullscreen
Guido Reni - Salome holding the head of John the Baptist
fullscreen
Jusepe de Ribera - Venus and Adonis
fullscreen
Peter Paul Rubens - Saint Sebastian Healed by Angels
fullscreen
Luca Giordano - Christ among the Doctors
fullscreen
Michelangelo Merisi, detto Caravaggio - Saint John the Baptist
fullscreen
Salvator Rosa - The Torture of Prometheus
fullscreen
Jusepe de Ribera - The Denial of Saint Peter
fullscreen
Bartolomé Esteban Murillo - The nursing Madonna
fullscreen
Beato Angelico - Triptych with Ascension, Last Judgment, Pentecost
fullscreen
Rosalba Carriera - Allegory of the Four Elements - Water, Air, Earth and Fire
fullscreen
Hans Hoffmann - The hare
fullscreen
Giovanni da Milano - Madonna and Child with Saints
fullscreen
Antoon van Dyck - Madonna of the Straw
fullscreen
Mattia Preti - The Tribute Money
fullscreen
Jacopo Bassano - Adoration of the Shepherds
Giambattista Piazzetta - Judith and Holofernes
Christian Berentz - The Elegant Snack
Corsini Throne
Orazio Gentileschi - Madonna and Child
Guido Reni - Salome holding the head of John the Baptist
Jusepe de Ribera - Venus and Adonis
Peter Paul Rubens - Saint Sebastian Healed by Angels
Luca Giordano - Christ among the Doctors
Michelangelo Merisi, detto Caravaggio - Saint John the Baptist
Salvator Rosa - The Torture of Prometheus
Jusepe de Ribera - The Denial of Saint Peter
Bartolomé Esteban Murillo - The nursing Madonna
Beato Angelico - Triptych with Ascension, Last Judgment, Pentecost
Rosalba Carriera - Allegory of the Four Elements - Water, Air, Earth and Fire
Hans Hoffmann - The hare
Giovanni da Milano - Madonna and Child with Saints
Antoon van Dyck - Madonna of the Straw
Mattia Preti - The Tribute Money
Jacopo Bassano - Adoration of the Shepherds

Other works on display

Description

The painting represents the conclusive moment of an episode in the Gospel of Matthew (17, 24-27): Christ orders Peter to catch a fish in Lake Tiberias and pay the tax-gatherers of the day with the silver coin he will find in the fish. In composing this work, Mattia Preti was mindful of certain of Caravaggio’s innovations: the light shed on the figure of Christ also falls diagonally across the scene, illuminating the faces of the figures and coming to rest on the details of the fish and coin, so enabling us to identify the characters and the episode depicted. The interlacing pattern of busy hands around the coin becomes a focal point of the composition and immediately captures the viewer’s gaze. With the exception of Christ and Peter, dressed in traditional garments, the other figures wear seventeenth-century dress, so that the scene appears set in the world the painter and consignees of the painting lived in daily. In this painting, Preti reworked the experiences absorbed during his stay in Rome, from Caravaggio’s innovations to the influence of Guercino.

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