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Ancient Town Hall and Olivero Art Gallery verified

Saluzzo, Piedmont, Italy closed Visit museumarrow_right_alt

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Matteo Olivero - The Preit at dawn
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Matteo Olivero - Light, sketch
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Matteo Olivero - Tops
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Matteo Olivero - nevai
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Matteo Olivero - Walk
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Matteo Olivero - Under the top (Ussolo)
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Matteo Olivero - Ultrafuturist self-portrait (impression of ultrafuturism),
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Matteo Olivero - Morning: Upper Macra Valley
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Matteo Olivero - Self portrait
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Matteo Olivero - Portrait of a Young Man (Self Portrait)
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Matteo Olivero - Derelict (Vigil to the dead)
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Country scene (At the brook)
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Matteo Olivero - Finì d Tribulè (Dying)
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Matteo Olivero - Portrait of an old man
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Matteo Olivero - Outcast
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Matteo Olivero - Figure: The flower crown
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Matteo Olivero - Mountain village (Casteldelfino da Torrette)
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Matteo Olivero - Sun among the trees (Sole in Val Varaita)
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Matteo Olivero - The Po in Crissolo (Sera, Crissolo)
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Matteo Olivero - Snow in Madonna dell’Olmo
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Matteo Olivero - The Po in Calcinere
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Matteo Olivero - Funeral in Casteldelfino. Study
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Matteo Olivero - Sun and Snow
Matteo Olivero - The Preit at dawn
Matteo Olivero - Light, sketch
Matteo Olivero - Tops
Matteo Olivero - nevai
Matteo Olivero - Walk
Matteo Olivero - Under the top (Ussolo)
Matteo Olivero - Ultrafuturist self-portrait (impression of ultrafuturism),
Matteo Olivero - Morning: Upper Macra Valley
Matteo Olivero - Self portrait
Matteo Olivero - Portrait of a Young Man (Self Portrait)
Matteo Olivero - Derelict (Vigil to the dead)
Country scene (At the brook)
Matteo Olivero - Finì d Tribulè (Dying)
Matteo Olivero - Portrait of an old man
Matteo Olivero - Outcast
Matteo Olivero - Figure: The flower crown
Matteo Olivero - Mountain village (Casteldelfino da Torrette)
Matteo Olivero - Sun among the trees (Sole in Val Varaita)
Matteo Olivero - The Po in Crissolo (Sera, Crissolo)
Matteo Olivero - Snow in Madonna dell’Olmo
Matteo Olivero - The Po in Calcinere
Matteo Olivero - Funeral in Casteldelfino. Study
Matteo Olivero - Sun and Snow

Other works on display

Description

In a private collection there is a smaller canvas of the same subject where Olivero has noted the site of the view, Ussolo. The date 1905 on the lower left emerged on the occasion of the scientific filing of the collection. Previously, the extraordinary mastery of the Divisionist language that Olivero demonstrates here, had led scholars to postdate the painting for a few years, especially since it was exhibited for the first time only in 1910, at the Paris solo show.

Of obvious public destination for its exceptional size, the canvas is an exploit of skill of the young painter in the midst of his enthusiasm for divided painting. Long meditated - there are at least six partial or total editions of different sizes - he marries the naturalistic realism, which Olivero had been trained to, with Divisionism. The robust perspective structure and the refinement of pictorial writing combine to create in a masterly way the sensation of atmospheric purity and boundless space of the high mountains, not without a symbolic response between the earth of men and the brightness of the sky reminiscent of Segantini.


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