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Peggy Guggenheim Collection verified

Venice, Veneto, Italy open Visit museumarrow_right_alt

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Marc Chagall - The Rain (La Pluie)
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Vasily Kandinsky - Upward
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Vasily Kandinsky - White Cross
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Pablo Picasso - I study
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Vasily Kandinsky - Landscape with red spots, no. 2
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Paul Klee - Portrait of Frau P. in the South
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Paul Klee - Magic garden
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El Lissitzky - Without title
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Kazimir Malevich - Without title
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Piet Mondrian - Scaffolding: Study for Tableau III
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Theo van Doesburg - Composition in gray (Rag time)
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Piet Mondrian - Ocean 5
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Robert Delaunay - Windows open simultaneously 1st part
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Juan Gris - Bottle of rum and newspaper
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Umberto Boccioni - Dynamism of a running horse + case
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Arshile Gorky - Without title
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Piet Mondrian - Composition no. 1 with gray and red 1938 Composition with red 1939
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Theo van Doesburg - Cons - composition XIII
Marc Chagall - The Rain (La Pluie)
Vasily Kandinsky - Upward
Vasily Kandinsky - White Cross
Pablo Picasso - I study
Vasily Kandinsky - Landscape with red spots, no. 2
Paul Klee - Portrait of Frau P. in the South
Paul Klee - Magic garden
El Lissitzky - Without title
Kazimir Malevich - Without title
Piet Mondrian - Scaffolding: Study for Tableau III
Theo van Doesburg - Composition in gray (Rag time)
Piet Mondrian - Ocean 5
Robert Delaunay - Windows open simultaneously 1st part
Juan Gris - Bottle of rum and newspaper
Umberto Boccioni - Dynamism of a running horse + case
Arshile Gorky - Without title
Piet Mondrian - Composition no. 1 with gray and red 1938 Composition with red 1939
Theo van Doesburg - Cons - composition XIII

Other works on display

Description

Marc Chagall's early works are characterized by a neo-primitive style, inspired by Russian icons and folk art. When he moves to Paris in the summer of 1910. The artist brings with him several of these paintings depicting the life and customs of his native Vitebsk. The following year he reworked these paintings and also created new compositions with similar subjects full of nostalgia for his homeland, but adapted to the techniques and ways acquired in contact with contemporary French art. In this canvas Chagall uses saturated and unrealistic colors combined with definitive areas of black and white to create a very decorative and vibrant surface. The splitting of some areas of the composition into shaded planes, such as the roof of the house and the first floor on the left, has its origins in Cubism, although this device is used quite occasionally.


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