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MAC - Museo d’Arte Contemporanea di Lissone verified

Lissone, Lombardia, IT closed Visit museumarrow_right_alt

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Giuliano Barbanti - Architettura 889
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Michele Alberto Sereni - Riversa
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Luca Caccioni - Maison de Siz. Due
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Mattia Barbieri - Square
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Luca Piovaccari - Ascolta il tuo respiro
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Alessandro Gioiello - Due Cani
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Michele Chiossi - W.T.O.7
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Valerio Adami - Camel
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Antoni Tàpies - Terre sur marron foncé
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Alberto Biasi - Color tales
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Davide Mancini Zanchi - Munstang
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Agostino Bonalumi - Bianco
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Giorgio de Chirico - Horse with rider
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Franco Grignani - Psicoplastica
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André Mairfaing - V.A. 58
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Achille Perilli - L'emploi du temps
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Emilio Vedova - Immagine del tempo 1 V.
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Mattia Moreni - Costa bruciata
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Michele De Lucchi - Empty building 320
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Nicola Samorì - Radice del nero
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Winfred Gaul - Markierungen XVI
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Horia Damian - City image
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Sophie Ko - Geografia temporale delle stelle fisse IV
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Piero Dorazio - Tenax
Giuliano Barbanti - Architettura 889
Michele Alberto Sereni - Riversa
Luca Caccioni - Maison de Siz. Due
Mattia Barbieri - Square
Luca Piovaccari - Ascolta il tuo respiro
Alessandro Gioiello - Due Cani
Michele Chiossi - W.T.O.7
Valerio Adami - Camel
Antoni Tàpies - Terre sur marron foncé
Alberto Biasi - Color tales
Davide Mancini Zanchi - Munstang
Agostino Bonalumi - Bianco
Giorgio de Chirico - Horse with rider
Franco Grignani - Psicoplastica
André Mairfaing - V.A. 58
Achille Perilli - L'emploi du temps
Emilio Vedova - Immagine del tempo 1 V.
Mattia Moreni - Costa bruciata
Michele De Lucchi - Empty building 320
Nicola Samorì - Radice del nero
Winfred Gaul - Markierungen XVI
Horia Damian - City image
Sophie Ko - Geografia temporale delle stelle fisse IV
Piero Dorazio - Tenax

Other works on display

Description

The theme of the metropolitan landscape, with its anonymous and disturbing structures, takes on an obsessive cadence that resonates with a monochrome draft. The urban views are thus synthesized in an opaque and heavy, vaguely disturbing atmosphere, whose viscous shades generate a sense of uneasy uprightness. The work maintains its status of alienating ambiguity to question the relationship of familiarity and fleeting analogy with respect to the world in which we live.

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