Signed by the great Lombard sculptor protagonist of the art scene of the second half of the nineteenth century, the piece represents a young noblewoman, elegantly dressed, with her hair tied up and a lace dress over a tight corset on the bust and decorated with bouquets of flowers. On the woman's shoulder a bird rests holding a rolled-up piece of paper between its paws, hence the name messenger of love, since the young woman seems to turn her head towards the animal as if listening, with a pensive and melancholy gaze . The woman also wears a double round of pearls closed by a cameo with a lily and pearl earrings, according to the fashion of the time. At the moment there are no certain elements to identify the portrayed: the piece, however, comes from a deposit in the Royal Villa of Monza frequented, starting in 1868, by the then Prince Umberto of Savoy and his wife Margherita; given the high stylistic quality of the work and its provenance, it could be a romantic reinterpretation of an image of Princess Margherita or a member of the family.