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Francesco Bianchi Ferrari - Saint Jerome in the desert
fullscreen
Giovanni Francesco Barbieri, detto Guercino - Apollo and Marsyas
fullscreen
Cristoforo Canozi de Lendinara - Adoration of the Child with San Bernardino - the Eternal Father blessing
fullscreen
Ludovico Lana - San Sebastiano curated by Irene
fullscreen
Giovanni Battista Benvenuti, detto l'Ortolano - The Madonna and Child, San Giovannino and Santa Scolastica
fullscreen
Bartolomeo Passarotti - Peasant playing the lute
fullscreen
Girolamo Sellari, detto Girolamo da Carpi - The Crucifixion
fullscreen
Luca Ferrari - Sant'Andrea
fullscreen
Girolamo Sellari, detto Girolamo da Carpi - Santa Cecilia
fullscreen
Giovanni Andrea Sirani - Neptune receives tulip bulbs from Earth
fullscreen
Alessandro Tiarini - Rinaldo and Armida
fullscreen
Gaspare Venturini - Allegory of the Good Government
fullscreen
Jacopo Zanguidi, detto il Bertoja - St. Peter and St. Paul. Stories from their life
Francesco Bianchi Ferrari - Saint Jerome in the desert
Giovanni Francesco Barbieri, detto Guercino - Apollo and Marsyas
Cristoforo Canozi de Lendinara - Adoration of the Child with San Bernardino - the Eternal Father blessing
Ludovico Lana - San Sebastiano curated by Irene
Giovanni Battista Benvenuti, detto l'Ortolano - The Madonna and Child, San Giovannino and Santa Scolastica
Bartolomeo Passarotti - Peasant playing the lute
Girolamo Sellari, detto Girolamo da Carpi - The Crucifixion
Luca Ferrari - Sant'Andrea
Girolamo Sellari, detto Girolamo da Carpi - Santa Cecilia
Giovanni Andrea Sirani - Neptune receives tulip bulbs from Earth
Alessandro Tiarini - Rinaldo and Armida
Gaspare Venturini - Allegory of the Good Government
Jacopo Zanguidi, detto il Bertoja - St. Peter and St. Paul. Stories from their life

Other works on display

Description

Already referring to Garofalo, the small panel was returned by Carlo Volpe to his great pupil Girolamo da Carpi. In this painting, if the polite formal integrity and the refined elegance of the pose refer to that meditated cultural infusion of Raphaelesque matrix that characterizes the painter's production throughout his career, the cadences of more refined and subtle elegance that derive from Parmigianino, who survived in 1527 in Bologna from the Sack of Rome, and point towards a dating around the thirties. The most stringent comparisons are to be made with the frescoed tondi that Girolamo painted for the church of San Giorgio in Ferrara (1630) in collaboration with the ancient master Garofalo. The graceful figure of the saint is presented according to the iconography also disclosed by the famous Raphael altarpiece, but the archeological taste of the ruins at the bottom, restored in an almost romantic atmosphere, now reveal the influence of Giulio Romano.

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