The large canvas has a place of absolute importance among the nineteenth-century paintings of the Royal Palace, mostly commissioned by Carlo Alberto to fill the void left by the works that merged into the Royal Gallery. The author, the Venetian Francesco Hayez (1791-1882), drew the subject from an episode in the Gerusalemme Liberata del Tasso, also present in the poem by Tommaso Grossi I Lombardi at the first Crusade. Hayez worked there for several years and with great commitment, with the aim of creating a monumental work of national scope, in which a large number of Christians were united in suffering and faith. From the point of view of the Risorgimento, this condition could be similar to that of the Italian people wishing to be freed from the Austrian yoke. It is no coincidence that Carlo Alberto, promoter of the wars of independence, wished to arrange the painting in the first antechamber of his representative apartment. Unfortunately the painter's work took longer than expected and by the time the canvas was placed in 1850 the king was already dead. Today in this masterpiece we still appreciate the fresh colorism reminiscent of the Venetian eighteenth century and the great drawing and portrait skills that have made Hayez the leading painter of Italian romanticism.
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Title:The thirst suffered by the first crusaders under Jerusalem