With an almost photographic procedure, the canvas contrasts the foreground of the young woman - with a slightly expressionless face, framed by a heavy cap of hair gathered in a bun, and caught in the act of inhaling the scent of a large bouquet of flowers that she holds in the arms - in the background, consisting of a fresh spring landscape rendered with various shades of green. Dating from around 1903, the painting is built with the streaked brushstrokes typical of Zandomeneghi, inspired by Renoir's painting, and is part of the artist's numerous works that have the female universe as their protagonist. C. Gelao