Self-taught, after his beginnings in the conceptual field, he arrived at figuration, becoming one of the main exponents of the historical nucleus of the Italian Transavantgarde thematized by Achille Bonito Oliva. In the works on canvas, accompanied by numerous drawings and often presented by poetic texts written by the artist himself, he re-appropriates with a visionary gaze the myth, the history of art and literature, giving life to compositions of great symbolic intensity, in which often the world is represented as a battlefield between two opposing principles. After the large compositions with the use of charcoal and collage, he experimented with the use of different materials, including earth, burnt wood, neon tubes and iron, at the same time embracing an almost Caravaggio-like use of light, which allowed him effects of spatial depth.
