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Palace of Museums - Varallo Art Gallery and Calderini Museum verified

Varallo, Piedmont, Italy closed Visit museumarrow_right_alt

fullscreen
Polyptych Scarognino
fullscreen
Christ crowned with thorns
fullscreen
Lamentation over the body of Christ "Stone of Anointing"
fullscreen
Gaudenzio Ferrari - Announcing Angel
fullscreen
Mysteries of the Rosary
fullscreen
Antonio d'Enrico, detto Tanzio da Varallo - David with the head of Goliath
fullscreen
Antonio d'Enrico, detto Tanzio da Varallo - David with the head of Goliath
fullscreen
Flowerpot and wreath
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Pier Celestino Gilardi - The renaiolo sul Po
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Camillo Procaccini - Sacrifice of Isaac
fullscreen
Antonio d'Enrico, detto Tanzio da Varallo - St. Francis of Assisi in prayer on La Verna
fullscreen
Bacile
fullscreen
Round plate
fullscreen
Centerpiece stand
fullscreen
Baluster vase
Polyptych Scarognino
Christ crowned with thorns
Lamentation over the body of Christ "Stone of Anointing"
Gaudenzio Ferrari - Announcing Angel
Mysteries of the Rosary
Antonio d'Enrico, detto Tanzio da Varallo - David with the head of Goliath
Antonio d'Enrico, detto Tanzio da Varallo - David with the head of Goliath
Flowerpot and wreath
Pier Celestino Gilardi - The renaiolo sul Po
Camillo Procaccini - Sacrifice of Isaac
Antonio d'Enrico, detto Tanzio da Varallo - St. Francis of Assisi in prayer on La Verna
Bacile
Round plate
Centerpiece stand
Baluster vase

Other works on display

Description

The large canvas, the work of Emilian Camillo Procaccini (1561-1629), belongs to the Remogna collection, donated to Palazzo dei Musei between 2002 and 2013. The painting dates back to the years in which the artist moved from Emilia to Milan thanks to its first Lombard patron, Count Pirro I Visconti Borromeo, who chose it to decorate his residence outside the city of Lainate. It is not known whether the work is the one described, in 1587, by the treatise writer Giovan Paolo Lomazzo in a tercet of his Rime , which tells of a mysterious Sacrifice of Isaac painted by Procaccini for his patron. If this were the case, the painting today in Varallo would be a sort of visiting card of the pictorial skills of the young artist, who in a few years gained an absolute leading role on the Milanese scene of the late sixteenth century.


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