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Giovanni Lanfranco - Saint Agatha visited in prison by Saint Peter and the angel
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Leonardo da Vinci - Head of a girl, called
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Girolamo Francesco Maria Mazzola, detto Parmigianino - Portrait of a gentlewoman known as "The Turkish Slave"
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Domínikos Theotokópoulos, detto El Greco - Healing of the blind
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Antonio Canova - Marie Louise of Habsburg as Concordia
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Antonio Allegri, detto il Correggio - Lamentation over the dead Christ
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Giovanni Battista, detto Cima da Conegliano - Madonna and Child Enthroned and Saints John the Baptist, Cosma, Damiano, Apollonia, Catherine and John the Evangelist
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Hans Holbein il Giovane - Erasmus of Rotterdam
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Benedetto Antelami - Wayside Shrine
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Beato Angelico - Madonna of humility, Saints John the Baptist and Paul and the meeting of Saints Dominic and Francis; in the frame, Fourteen Seraphim
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Antoon van Dyck - Madonna and child
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Giovan Battista Tiepolo - Saints Joseph of Leonessa and Faithful of Sigmaringen trampling on heresy
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Antonio Allegri, detto il Correggio - Coronation of the Virgin (fragment of the apse of the church of San Giovanni Evangelista in Parma)
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Giorgio Scherer - Interior of a painter's studio
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Alberto Pasini - A caravan that spent the night in an oasis and prepared for departure
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Antonio Allegri, detto il Correggio - Rest during the return from the flight into Egypt called "Madonna della scodella"
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Antonio Allegri, detto il Correggio - Madonna and Child with Saints Jerome and Magdalene known as "Madonna di San Gerolamo" or "The day"
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Gabriel François Doyen - Death of Virginia
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Damià Campeny - Table triumph
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Giuseppe Baldrighi - Family of Don Filippo di Borbone
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Giovanni Francesco di Niccolò Luteri, detto Dosso Dossi - St. Michael the archangel fights the devil and the Virgin of the Assumption among angels
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Giovanni Antonio Canal, detto Canaletto - Capriccio with Palladian buildings
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Annibale Carracci - Lamentation over the Dead Christ with Saints Clare and Francis of Assisi
Giovanni Lanfranco - Saint Agatha visited in prison by Saint Peter and the angel
Leonardo da Vinci - Head of a girl, called
Girolamo Francesco Maria Mazzola, detto Parmigianino - Portrait of a gentlewoman known as "The Turkish Slave"
Domínikos Theotokópoulos, detto El Greco - Healing of the blind
Antonio Canova - Marie Louise of Habsburg as Concordia
Antonio Allegri, detto il Correggio - Lamentation over the dead Christ
Giovanni Battista, detto Cima da Conegliano - Madonna and Child Enthroned and Saints John the Baptist, Cosma, Damiano, Apollonia, Catherine and John the Evangelist
Hans Holbein il Giovane - Erasmus of Rotterdam
Benedetto Antelami - Wayside Shrine
Beato Angelico - Madonna of humility, Saints John the Baptist and Paul and the meeting of Saints Dominic and Francis; in the frame, Fourteen Seraphim
Antoon van Dyck - Madonna and child
Giovan Battista Tiepolo - Saints Joseph of Leonessa and Faithful of Sigmaringen trampling on heresy
Antonio Allegri, detto il Correggio - Coronation of the Virgin (fragment of the apse of the church of San Giovanni Evangelista in Parma)
Giorgio Scherer - Interior of a painter's studio
Alberto Pasini - A caravan that spent the night in an oasis and prepared for departure
Antonio Allegri, detto il Correggio - Rest during the return from the flight into Egypt called "Madonna della scodella"
Antonio Allegri, detto il Correggio - Madonna and Child with Saints Jerome and Magdalene known as "Madonna di San Gerolamo" or "The day"
Gabriel François Doyen - Death of Virginia
Damià Campeny - Table triumph
Giuseppe Baldrighi - Family of Don Filippo di Borbone
Giovanni Francesco di Niccolò Luteri, detto Dosso Dossi - St. Michael the archangel fights the devil and the Virgin of the Assumption among angels
Giovanni Antonio Canal, detto Canaletto - Capriccio with Palladian buildings
Annibale Carracci - Lamentation over the Dead Christ with Saints Clare and Francis of Assisi

Other works on display

Description

The very particular composition, which opposes the softly falling mass of the Sleeping Child to the moving and dynamic thrust of the figure of the Virgin, elongated upwards, is very reminiscent of the painter's works of the Palermo period, such as the Madonna and Child of Palermo, Galleria National Museum of Sicily and the Santa Rosalia of New York, Metropolitan Museum, in which the suggestion of Titian is interpreted in the light of a baroque affection and emotion deriving from that frequentation of Rubensian religious works that remained fundamental in the formation of author.

It is far from unlikely that even this Madonna, of which we know only the recent history, has followed a path of this sort, especially since she shows the greatest affinities with the Madonna of the Rosary (Palermo, oratorio del Rosario), commissioned in Palermo on 22 August 1624, but finished and therefore sent only in 1627.


Other artworks in Parma

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