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Triumph of Joseph
Self portrait
Peasant girl in the sun
St. Peter martyr
Rirì (Abandonment)
Love declaration
Mountain
Punished (The Punished Doll)
Flower garden III
Portrait of a Gentlewoman
St. Peter freed by the Angel
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The won
Nativity scene depicting: Shoemaker's shop
Creche
St. Nicholas and stories from his life
Santa Margherita and stories from her life
Madonna and Child Enthroned between San Benedetto and Santa Scolastica
Female dress
Stauroteca (recto)
Stauroteca (verso)
Crutch capital decorated with winged Sphinxes
Albarello decorated with Virile Face
The rest
Communion of St. Mary of Egypt
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Penitent Magdalene in ecstasy
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Plate decorated with the Ecstasy of St. Francis of Assisi
Institution of the Eucharist
On vacation
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Return of the Cavalry
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The olive harvest
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Apuan landscape
Maiden with a Bundle of Flowers
Girl on the armchair
Horses
Napkin
Reading
Viale alle Cascine
Grazing horses
Ancient street of the port
The rattle
Women on the terrace
Walk in the rain
At the piano
Portrait of the painter Lanfredini
Florentine door Ancient Door to the Cross
Venice
Fishing on the river
The Arno in San Rossore
Portrait of a man
Barges in the lagoon
Saint Denis Gate in Paris
The Arno in Rovezzano
Sienese peasant woman making grass
The work of the earth
The teacher
Landscape
Triumph of Joseph
Self portrait
Peasant girl in the sun
St. Peter martyr
Rirì (Abandonment)
Love declaration
Mountain
Punished (The Punished Doll)
Flower garden III
Portrait of a Gentlewoman
St. Peter freed by the Angel
San Rocco and the plague victims
The fakir
The won
Nativity scene depicting: Shoemaker's shop
Creche
St. Nicholas and stories from his life
Santa Margherita and stories from her life
Madonna and Child Enthroned between San Benedetto and Santa Scolastica
Female dress
Stauroteca (recto)
Stauroteca (verso)
Crutch capital decorated with winged Sphinxes
Albarello decorated with Virile Face
The rest
Communion of St. Mary of Egypt
Saint Nicholas saves the castaways
Penitent Magdalene in ecstasy
Ulysses and Diomedes in the Resus tent
Plate decorated with the Ecstasy of St. Francis of Assisi
Institution of the Eucharist
On vacation
Landscape
A street in Volpedo
Village or country road
Trees or Bosco alle Cascine
Houses in the woods
Return of the Cavalry
Women at the sea
Burano
San Prugnano
Young girl
Garden corner with landscape background
Mountain
The olive harvest
Street in Ravenna
Apuan landscape
Maiden with a Bundle of Flowers
Girl on the armchair
Horses
Napkin
Reading
Viale alle Cascine
Grazing horses
Ancient street of the port
The rattle
Women on the terrace
Walk in the rain
At the piano
Portrait of the painter Lanfredini
Florentine door Ancient Door to the Cross
Venice
Fishing on the river
The Arno in San Rossore
Portrait of a man
Barges in the lagoon
Saint Denis Gate in Paris
The Arno in Rovezzano
Sienese peasant woman making grass
The work of the earth
The teacher
Landscape

Stauroteca (recto)

Anonymous

Displayed in:

Corrado Giaquinto Art Gallery of Bari

Corrado Giaquinto Art Gallery of Bari

Via Spalato, 19/Lungomare N. Sauro, 27 , Bari

Closed today: open tomorrow at 09:00

Verified profile

Carved and figured on both faces, the cross must have housed, in the central panel of the front face, a fragment of the True Cross, as indicated by the cruciform housing, now empty. On the vertical arm of the recto of the cross the following scenes are depicted, starting from the top, the following scenes: Incredulity of St. Thomas, Crucifixion, Descent of Jesus into Limbo; on the short arms: one Evangelist (or Prophet) on each side; on the reverse: Annunciation, Baptism of Christ, Presentation in the Temple, two Evangelists (or Prophets). Of refined quality in the very fine carving that even reproduces, in the minute lattice of the engravings, the effect of the chrysographies, the cross is part of a large group, scattered in numerous churches and museums in Italy and abroad and produced mostly by monks of Mount Athos (hence the name of the Atonite cross), characterized by lenticular precision and meticulous attention to detail. The recent cleaning to which the silver frame was subjected revealed that it, already considered the work of Trapani workers of the seventeenth century, is actually contemporary with the cross and datable to the sixteenth century. The presence, on both faces, of diamond-pointed rhomboid studs, however, excludes the possibility of a pectoral cross, as was believed in the past.
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Details

Title: Stauroteca (recto)

Author: Anonymous

Date: XVI sec.

Technique: Cross in carved, perforated and engraved boxwood, frame in engraved silver foil, corals

Displayed in: Corrado Giaquinto Art Gallery of Bari

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