Partial sculptural representation of a young woman. Only the part corresponding to the head and neck has been preserved, which would have been inserted into an unrecovered torso. It was recovered during the archaeological excavation work at the Caesaraugusta theater, specifically from a level of filling in the hypocaenium, for which reason it has been considered that, in its original position, it would be part of the decoration of the stage front of said theater, perhaps inside of an iconographic program of imperial portraits, something seen in other Roman theaters of the same period in Hispania.

Female marble bust (Saint-Beat, French Pyrenees), of which the part between the neckline and the waist has been preserved. Neither the head, nor the neck, nor the arms that were made separately have been preserved.

The bust belonged to a sculpture of colossal size. She is dressed in a short tunic, or jiitón, which covers her body from the left shoulder, diagonally, to the waist, where it would be cinched by a cingulum, the rest remaining uncovered. A balteus (flat ribbon with piping at the sides) crosses the bust from the right shoulder to the left hip.

Right arm of a marble sculpture from Saint Beat (French Pyrenees) in white tones with gray veins. The bare arm of a sculpture, probably a figure -emperor- deified. At one end, the hand has lost its fingers but retains part of the palm, and at the other end the arm is finished and ready -with a circular hole- to fit into the right torso of the figure. It is made up of several joined fragments.

Capital of the Corinthian order in which the abacus with fractured decorative elements is also preserved. The acanthus leaves show broken tips that would curve outwards... It seems to show a preparation to be reused as construction material. It would probably be part of the theater's stage front structure.

Iron spike or tip that covered the end of a juniper wood post. The toe is made of solid iron and four equidistant sheets come out of it that would collect the wooden post. At the ends opposite the point, the four sheets of iron have a hole for the nail (only one of them), which would fasten each of them to the post.

This piece is a fragment of a spherical Roman clock, which is essentially a conical projection of the celestial vault represented by the circles of the solstices (Tropics of Cancer and Capricorn) and the equinoxes (equatorial line). In the Caesaraugusta watch, the pseudoparallel segments are identified with hour lines that divide the dial into four zones, corresponding to the prime, second, third, and fourth hours. The line that cuts the previous ones is the one that marks the equinoxes and, parallel to it, the summer solstice would be represented. Based on the length of the arcs defined by the incised lines, he calculates that the sphere of the original piece would have a radius of approximately 9.5 cm.

The front part reproduces a theatrical mask, which reproduces the face of a young man belonging to the characters of the Classical Tragedy. The face presents slightly deteriorated facial features, but its different parts, the eyes, the nose and the closed mouth, are well recognizable. The figure is styled with medium length hair composed of thick ringlets and an onkos. There are probably four ringlets on each side of the face, although the spacing of the outer two on each side is impaired. At the back it preserves the initial vaulted section that would be attached to the walls of two imbrices.

The appliqué is made up of a figured face and a smooth ring located on her hairstyle, on the onkos. The piece was originally welded to the edge of a situla. The face represents a New Comedy theater mask with an open and perforated mouth, and belongs to a young character, hairstyle with thick ringlets, a slightly raised onkos and a ribbon on the forehead. Due to the expression of pain, it would be one of the young characters of the Tragedy. The eyes present a cavity that would be filled, probably with silver or another metal of another color.

Game board for a board game in which two players with nine tiles each try to reach the "three in a row" position, removing the opponent's tiles until one of them is left with only two or cannot make any moves. A dice could be used in the game.

Ceramic of Islamic culture destined for the table. Straight edge with rounded lip, convex wall and slightly convex bottom with annular foot. Decorated in green and manganese on tin cover. The exterior decoration is honey glazed, and the interior is green and manganese with epigraphy and a central cartouche with plant motifs framed with a double line of manganese with palmettes.  

Fragment of the edge of a bone flute that preserves the first two fingering holes. This edge has a dark coloration, it seems that it was burned, which could indicate the application of some hot substance (wax, resin, etc.) to fix an element that was not preserved and through which air would enter or exit. The surface shows a decoration of oblique incised lines that intersect to form lozenges, rectangles, zig-zag motifs, etc. The fragment comes from a wing bone, the ulna, of a large vulture (Black vulture or Griffon vulture). .

Decorated alabaster chest, with a trephine, with themes of exapétalas flowers, circles, ataurique motifs and cords. In its central part of the lower part an incised Arabic script is developed. It is missing the mobile handle, which would probably be made of another material (metal), of which the two holes in the upper part of the lid are preserved.

Casting mold for small bottles or ampullae to contain oil, sand, water related to the cult of martyrs, saints and their relics. It is a fragment of metamorphic rock, probably black quartzite. It shows, in a hole, almost half a bottle and the base of a second. Between the two appears one of the holes in which the other half of the mold would be attached.

It is, therefore, one of the two valves of a mold. The gap between the two would be filled by the liquid metal, which when cooled would give rise to the bottle. The resulting ampullae, in the shape of a canteen, would not have a foot or base, but it did have two handles, with representations of ducks, turkeys or doves, to facilitate suspension.

Schematic doll of Islamic origin. It is provided with a head, oval with features of eyes and mouth almost lost on one side. In the hair area, it presents, as a ribbon, a band decorated with two concentric circles. In another piece, it preserves part of the body, which is rectangular, and the beginning of the legs. A central hole surrounded by an incised circle is the decoration found on the body.