The Madonna of the Pomegranate is an example of those 'chamber peaks' that were widely spread in the second half of the fifteenth century. These are images of Marian iconography intended for private devotion and placed in the homes of the bourgeois and aristocratic classes. The painting in the museum of Gubbio is part of the numerous variants produced by the master and his workshop, drawn, with various combinations, from the masterpiece by Fra Filippo Lippi depicting the Adoration of the Child, created between 1458 and 1460 for the Medici Palace chapel in Florence and now preserved at the Gemäldegallerie in Berlin.