Since its debut in 1996 with Fatica n.1, a site specific video-sound installation, it has worked to undermine that idea of space, which is still perceived and rotates within the Euclidean coordinates. work in pregress, which arises after a gestation period spent inside the spaces, during which the artist experiences the environment and establishes an almost carnal relationship with it, evaluating its limits and potential. By privileging the video installation, he manifested a new attitude to the medium by emphasizing and radically reversing the use of sound and the visual-architectural reconfiguration that always becomes something other than itself. The technologies used - video projectors, led-screens, synchronizers, amplifiers, sub woofers, speakers, microphones - are functional to the activation and multisensory amplification of the perceptive, visual and auditory faculties of the spectator, as an integral part of the work itself. The spectator / visitor is called to enter a new and alienating space-sensorial dimension.