In the oak living room belonging to the Wolfson Collection, the peculiar elements of the Art Nouveau production of the Genoese furniture maker are made explicit: the phytomorphic applications in carving, often lacquered, although derived from the linguistic repertoire of the new style, acquire a distinctly plastic connotation of naturalistic matrix in its furnishings which presumably comes from his pictorial training linked to nature and the landscape. The very use of lacquering denotes a chromatic taste that is expressed in this case in the refined play of green and blue tones of the coping in perfect harmony with the shades of the sinuous floral pattern of the fabric.